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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Numéro 8 - Printemps 2018
https://atlante.univ-lille.fr/numero-8-printemps-2018.html
frMon, 01 Apr 2019 14:27:00 +0200PluXml11. <em> El paisaje y las hormigas : sexualidad, violencia y desorden social en Zaragoza (1600-1800</em> de Juan POSTIGO VIDAL
https://atlante.univ-lille.fr/11-em-el-paisaje-y-las-hormigas-sexualidad-violencia-y-desorden-social-en-zaragoza-1600-1800-em-de-juan-postigo-vidal.html
https://atlante.univ-lille.fr/11-em-el-paisaje-y-las-hormigas-sexualidad-violencia-y-desorden-social-en-zaragoza-1600-1800-em-de-juan-postigo-vidal.html<p>Paloma Bravo<br />Université de Bourgogne Franche-Comté<br />TIL, EA 4182<br />p. 235-238.</p><p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/atlante_8_12.pdf">Télécharger l'article complet (pdf, 149 Kb)</a></strong></p>Mon, 01 Apr 2019 14:27:00 +0200daniel.ramirezmahecha10. <em>Sexo, identidad y hermafroditas en el mundo ibérico, 1500-1800</em> de Francisco VÁZQUEZ GARCÍA y Richard CLEMINSON
https://atlante.univ-lille.fr/10-1-emsexo-identidad-y-hermafroditas-en-el-mundo-iberico-1500-1800-em-de-francisco-vazquez-garcia-y-richard-cleminson.html
https://atlante.univ-lille.fr/10-1-emsexo-identidad-y-hermafroditas-en-el-mundo-iberico-1500-1800-em-de-francisco-vazquez-garcia-y-richard-cleminson.html<p>Paloma Bravo<br />Université de Bourgogne Franche-Comté<br />TIL, EA 4182<br />p. 230-234.</p><p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/atlante_8_11.pdf">Télécharger l'article complet (pdf, 139 Kb)</a></strong></p>Mon, 01 Apr 2019 14:17:00 +0200daniel.ramirezmahecha10-Partie V. Comptes Rendus
https://atlante.univ-lille.fr/10-0-partie-v-comptes-rendus.html
https://atlante.univ-lille.fr/10-0-partie-v-comptes-rendus.htmlMon, 01 Apr 2019 13:25:00 +0200daniel.ramirezmahecha09. Annexe : <em>Ládreme el perro, y no me muerda. Satisfacción breve, escrita por el Doctor Don Juan del Águila</em> ... [extraits]
https://atlante.univ-lille.fr/09-1-annexe-emladreme-el-perro-y-no-me-muerda-satisfaccion-breve-escrita-por-el-doctor-don-juan-del-aguila-em-extraits.html
https://atlante.univ-lille.fr/09-1-annexe-emladreme-el-perro-y-no-me-muerda-satisfaccion-breve-escrita-por-el-doctor-don-juan-del-aguila-em-extraits.html<p>Annexe : <em>Ládreme el perro, y no me muerda. Satisfacción breve, escrita por el Doctor Don Juan del Águila, natural de Pamplona, e impresa con licencia en el castillo de la misma ciudad, año 1653, a un libelo infamatorio, escrito por Gregorio Esclapés, e impreso en Zaragoza este mismo año, contra doctrinas de Jesuitas</em> [extraits]<br />p. 204-228.</p><p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/atlante_8_10.pdf">Télécharger l'article complet (pdf, 228 Kb) </a></strong></p>Mon, 01 Apr 2019 13:15:00 +0200daniel.ramirezmahecha09-Partie IV. Annexe
https://atlante.univ-lille.fr/09-0-partie-iv-annexe.html
https://atlante.univ-lille.fr/09-0-partie-iv-annexe.htmlMon, 01 Apr 2019 13:11:00 +0200daniel.ramirezmahecha08. Du pet en littérature. Quelques remarques sur la présence et l’interprétation du <em>crepitus</em>
https://atlante.univ-lille.fr/08-du-pet-en-litterature-quelques-remarques-sur-la-presence-et-linterpretation-du-emcrepitus-em.html
https://atlante.univ-lille.fr/08-du-pet-en-litterature-quelques-remarques-sur-la-presence-et-linterpretation-du-emcrepitus-em.html<p><span lang="fr-FR">Samuel </span><span lang="fr-FR">Fasquel<br />Université d’Orléans<br />Rémélice EA 4709<br />p. 180-202.</span></p><p style="text-align: left;"> </p>
<p style="text-align: justify;"><strong>S<span lang="fr-FR">amuel </span><span lang="fr-FR">FASQUEL, </span><span lang="fr-FR">« </span><span lang="fr-FR">Du pet en littérature. Quelques remarques sur la présence et l’interprétation du </span><em><span lang="fr-FR">crepitus</span></em></strong><span lang="fr-FR"><strong><em> </em>»</strong>.</span></p>
<p style="text-align: justify;"><strong>Résumé.</strong> Cet article analyse le pet en tant que motif littéraire à travers un ensemble de textes écrits pour la plupart en espagnol ou en latin. Notre objectif est de dépasser le constat de son inscription dans le champ du grotesque ou de la scatologie pour évaluer la façon dont il intervient en littérature. Une première partie de l’article porte sur un ensemble de textes qui ne sont pas exclusivement consacrés au crepitus mais dans lesquels il apparaît ; nous montrerons comment et à quelle fin. Nous présentons ensuite un corpus de textes qui relèvent essentiellement de l’éloge paradoxal ; dans la troisième partie l’analyse des vices et vertus attachés au pet nous permettra de mieux comprendre ce qui, dans ces textes, renvoie aux représentations du corps aux XVIe et XVIIe siècles.</p>
<p style="text-align: justify;" align="JUSTIFY"><strong>Mots clés.</strong> crepitus, pet, scatologie, grotesque, poétique, éloge paradoxal, Quevedo, Dornau, Valle y Caviedes, Martí.</p>
<p style="text-align: justify;" align="JUSTIFY"> </p>
<p style="text-align: justify;" align="JUSTIFY"><strong><strong>S<span lang="fr-FR">amuel </span><span lang="fr-FR">FASQUEL, "Fart in literature. Some remarks on the presence and interpretation of <em>crepitus</em>"</span></strong><span lang="fr-FR">.</span></strong></p>
<p style="text-align: justify;" align="JUSTIFY"><strong>Resumen.</strong> Este artículo analiza el pedo como motivo literario mediante una serie de textos en su mayoría escritos en latín o en castellano. Nuestro objetivo es ir más allá de la constatación de que integra la esfera de lo grotesco o de lo escatológico para determinar cómo aparece en literatura. Una primera parte del trabajo se centra en un conjunto de textos que no están dedicados exclusivamente al crepitus pero en los que aparece; mostraremos cómo y para qué. Luego presentamos una serie de textos que en su mayoría pertenecen al género del elogio paradójico; en la tercera parte el análisis de los vicios y virtudes del pedo nos permitirá entender mejor lo que, en estos textos, remite a las representaciones del cuerpo en los siglos XVI y XVII.</p>
<p style="text-align: justify;" align="JUSTIFY"><strong>Palabras clave.</strong> crepitus, pedo, escatología, grotesco, poética, elogio paradójico, Quevedo, Dornau, Valle y Caviedes, Martí.</p>
<p style="text-align: justify;" align="JUSTIFY"> </p>
<p style="text-align: justify;" align="JUSTIFY"><strong><strong>S<span lang="fr-FR">amuel </span><span lang="fr-FR">FASQUEL, "El p</span><span lang="fr-FR">edo en la literatura. Algunas observaciones sobre la presencia e interpretación del</span><span lang="fr-FR"> </span><em><span lang="fr-FR">crepitus</span></em><span lang="fr-FR">"</span></strong><span lang="fr-FR">.</span></strong></p>
<p style="text-align: justify;" align="JUSTIFY"><strong>Abstract.</strong> <span lang="en-GB">This article analises the fart as a literary motif through several texts most of which were written in Spanish or Latin. We propose to consider its integration into the grotesque or scatology as a first step; our target is to understand how it appears in literature. The first part of the article focuses on works which are not exclusively dedicated to </span><span lang="en-GB">crepitus</span><span lang="en-GB"> but in which it appears; we shall analise how and why. Then we will present several texts most of which belong to the literary genre of paradoxical encomium; the last part of our investigations examines the vices and virtues of the fart and what they imply about body representations in the 16th and 17th centuries. </span></p>
<p style="text-align: justify;" align="JUSTIFY"><span lang="en-GB"><strong>Keywords.</strong> </span><span lang="en-GB">Crepitus</span><span lang="en-GB">, fart, scatology, grotesque, poetics, paradoxical encomium, Quevedo, Dornau, Valle y Caviedes, Martí.</span></p>
<p style="text-align: justify;" align="JUSTIFY"> </p>
<p style="text-align: justify;" align="JUSTIFY"><strong><span lang="en-GB"><a href="https://atlante.univ-lille.fr/data/images/_articles/atlante_8_9.pdf">Télécharger l'article complet (pdf, 251 Kb) </a> </span></strong></p>
<p style="text-align: justify;"> </p>Mon, 01 Apr 2019 11:44:00 +0200daniel.ramirezmahecha07. Le scandale de l’intime : la coquetterie entre rébellion et transgression dans le <em>Théâtre Italien</em> d’Evariste Gherardi
https://atlante.univ-lille.fr/07-le-scandale-de-lintime-la-coquetterie-entre-rebellion-et-transgression-dans-le-emtheatre-italien-em-devariste-gherardi.html
https://atlante.univ-lille.fr/07-le-scandale-de-lintime-la-coquetterie-entre-rebellion-et-transgression-dans-le-emtheatre-italien-em-devariste-gherardi.html<p>Camilla Maria Cederna<br />Université de Lille<br />CECILLE EA 4074<br />p. 152-179.</p><p> </p>
<p align="JUSTIFY"><strong><span lang="fr-FR">Camilla Maria CEDERNA, « Le scandale de l’intime : la coquetterie entre rébellion et transgression dans le <em>Théâtre Italien</em></span> <span lang="fr-FR">d’Evariste Gherardi ».</span></strong></p>
<p align="JUSTIFY"><strong>Résumé.</strong> Derrière l’écran du jeu, du déguisement et de la bouffonnerie, la scène de la Comédie-Italienne devient un lieu de plus en plus polémique, grâce à une satire visant les représentants du pouvoir à la fois dans la sphère publique et dans celle intime, de la famille et du mariage. De nombreuses comédies, jouées à l’Hôtel de Bourgogne, puis publiées dans le recueil <em>Le Théatre Italien</em> d’Evariste Gherardi (1700), mettent en scène des comportements transgressifs relevant du phénomène de la coquetterie chez des personnages féminins en guerre contre l’autorité des pères et des maris. Après plusieurs avertissements, la fermeture de la Comédie-Italienne est décrétée par Louis XIV et les acteurs se voient interdire de jouer à Paris (1697). Dans quelle mesure la mise en scène d’un intime scandaleux, au cœur de ces comédies, peut-elle être considérée un facteur déclencheur provoquant la fermeture de la Comédie-Italienne?</p>
<p align="JUSTIFY"><strong>Mots clés.</strong> Comédie-Italienne ; Hôtel de Bourgogne ; Satire ; Intime ; Scandale ; Evaristo Gherardi ; Le Théâtre Italien ; Coquetterie ; Louis XIV.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong><span lang="fr-FR">Camilla Maria CEDERNA, « Le scandale de l’intime : la coquetterie entre rébellion et transgression dans le <em>Théâtre Italien</em></span> <span lang="fr-FR">d’Evariste Gherardi ».</span></strong></p>
<p align="JUSTIFY"><strong>Riassunto.</strong> Dietro lo schermo del gioco, del travestimento e del puro divertimento, la scena della Comédie-Italienne diventa un luogo sempre più polemico, grazie a una satira rivolta contro i rapresentanti del potere sia nella sfera pubblica che in quella intima delle relazioni famigliari e matrimoniali. Numerose commedie rappresentate all’Hotêl de Bourgogne, e poi pubblicate nella raccolta <em>Le Théâtre Italien</em> di Evaristo Gherardi (1700), mettono in scena comportamenti trasgressivi tipici del fenomeno della coquetterie, da parte di personaggi femminili in guerra contro l’autorità dei padri e dei mariti. Dopo vari avvertimenti, il teatro viene chiuso per ordine del Re Luigi XIV e agli attori viene vietato di recitare a Parigi (1697). In che misura la messa in scena di tali comportamenti scandalosi al centro di queste commedie può essere considerata uno dei fattori determinanti della chiusura della Comédie-Italienne ?</p>
<p><strong>Parole chiave.</strong> Comédie-Italienne ; Hôtel de Bourgogne ; Satira ; Intimo ; Scandalo ; Evaristo Gherardi, Le Théâtre Italien ; Coquetterie ; Luigi XIV.</p>
<p> </p>
<p><span lang="en-US"><strong><span lang="fr-FR">Camilla Maria CEDERNA, "The scandal of the intimate: the coquetry between rebellion and transgression in Evariste Gherardi's Italian Theatre".</span></strong></span></p>
<p align="JUSTIFY"><span lang="en-US"><strong>Abstract.</strong> Behind the screen of a playful theater, mainly aiming at pure entertainment, the scene of the Comédie-Italienne becomes more and more polemical, due to a satire against representatives of power, both in the public sphere and in the private domain of family and marriage relationships. Most of the plays represented in the theater of the Hôtel de Bourgogne, and later published in Evaristo Gherardi recueil <em>Le Théâtre Italien</em> (1700),</span> <span lang="en-US">stage transgressive behaviours typical of the coquetry phenomenon, by feminine characters at war against father and husband autority. After several warnings, this theater is closed at the behest of king Louis XIV, and the actors are forbidden from playing in Paris (1697). To what extent can the staging of such scandalous behaviours central to these comedies, be considered a crucial factor leading to the closing of the Comédie-Italienne ?</span></p>
<p align="JUSTIFY"><strong>Keywords.</strong> Coquetry, Comédie-Italienne, Hôtel de Bourgogne, Satire, Intimacy, Scandal, Coquetry, Evaristo Gherardi, Le Théâtre Italien, Louis XIV.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/atlante_8_8.pdf">Télécharger l'article complet (pdf, 1.91 Mb)</a></strong></p>
<p> </p>Fri, 29 Mar 2019 19:39:00 +0100daniel.ramirezmahecha06-Partie III. Intime en littérature
https://atlante.univ-lille.fr/06-partie-iii-intime-en-litterature.html
https://atlante.univ-lille.fr/06-partie-iii-intime-en-litterature.htmlFri, 29 Mar 2019 19:38:00 +0100daniel.ramirezmahecha