Atlante - Revue d'études romanes

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	<title>Atlante - Revue d&#039;études romanes - Tag arte</title>
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		<title>18.El humor en el espacio público real y virtual. Análisis de dos experiencias de colectivos de activismo artístico en Argentina</title> 
		<link>https://atlante.univ-lille.fr/18-el-humor-en-el-espacio-publico-real-y-virtual-analisis-de-dos-experiencias-de-colectivos-de-activismo-artistico-en-argentina.html</link>
		<guid>https://atlante.univ-lille.fr/18-el-humor-en-el-espacio-publico-real-y-virtual-analisis-de-dos-experiencias-de-colectivos-de-activismo-artistico-en-argentina.html</guid>
		<description>&lt;p&gt;Ramiro Manduca&lt;br /&gt;Universidad de Buenos Aires &lt;br /&gt;Instituto de Investigaciones Gino Germani&lt;br /&gt;Maximiliano de la Puente&lt;br /&gt;Universidad Nacional de Tierra del Fuego, Ant&amp;aacute;rtida e Islas del Atl&amp;aacute;ntico Sur;&lt;br /&gt;Universidad Nacional de las Artes; Universidad de Buenos Aires; CONICET,&lt;br /&gt;Instituto de Investigaciones Gino Germani&lt;br /&gt;p.350-373.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maximiliano de la PUENTE &amp;amp; Ramiro MANDUCA, &quot;El humor en el espacio p&amp;uacute;blico real y virtual. An&amp;aacute;lisis de dos experiencias de colectivos de activismo art&amp;iacute;stico en Argentina&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen. &lt;/strong&gt;En este trabajo analizaremos algunas de las producciones m&amp;aacute;s destacadas de dos de los colectivos de activismo art&amp;iacute;stico (Longoni, P&amp;eacute;rez Rocca, Lidia, Di Filippo, 2017) que inciden en el espacio p&amp;uacute;blico real y virtual en la Argentina de los &amp;uacute;ltimos a&amp;ntilde;os, per&amp;iacute;odo signado por un nuevo auge de pol&amp;iacute;ticas neoliberales expresadas en el gobierno de la Alianza Cambiemos, vencedora en las elecciones presidenciales de 2015. Estos grupos apelan a estrategias en las que el humor ocupa un lugar destacado: nos referimos al colectivo Alegr&amp;iacute;a y al colectivo Fin De Un Mundo (FUNO). El proceso de mediatizaci&amp;oacute;n de la pol&amp;iacute;tica conlleva una estructuraci&amp;oacute;n de las l&amp;oacute;gicas pol&amp;iacute;ticas en funci&amp;oacute;n de las que emergen de los medios masivos (Ver&amp;oacute;n, 2012). En la sociedad contempor&amp;aacute;nea podemos observar una crisis en cuanto a la hegemon&amp;iacute;a de los medios masivos, es decir, entre el sistema de medios masivos y el de redes sociales propio del soporte digital, es por ello que en este an&amp;aacute;lisis en el que comunicaci&amp;oacute;n, arte y medios se presentan en estrecha relaci&amp;oacute;n, ser&amp;aacute; central considerar la nueva circulaci&amp;oacute;n de esas producciones discursivas en lo que definimos como espacio virtual (Carl&amp;oacute;n, 2016).&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave: &lt;/strong&gt;Humor, Pol&amp;iacute;tica, Comunicaci&amp;oacute;n, Arte, Activismo.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maximiliano de la PUENTE &amp;amp; Ramiro MANDUCA, &quot;&lt;/strong&gt;&lt;strong&gt;Humour in real and virtual public space. Analysis of two experiences of artistic activism collectives in Argentina&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract. &lt;/strong&gt;This paper analyzes some of the most outstanding productions of two of the artistic activism collectives (Longoni, P&amp;eacute;rez Rocca, Lidia, Di Filippo, 2017) that have influenced the real and virtual public space in Argentina in the recent years, a period characterized by a new wave of neoliberal policies expressed in the government of Alianza Cambiemos, winner of the 2015 presidential elections. The groups appeal to strategies where humour occupies a prominent place: we refer to the Alegr&amp;iacute;a collective and the Fin De Un Mundo (FUNO) collective. The mediatization of politics involves structuring the political logic according to that which emerges from the mass media (Ver&amp;oacute;n, 2012). In contemporary society, we witness a crisis in the mass media hegemony, that is, between the system of mass media and that of social networks typical of the digital era, that is why in this analysis in which communication, art, and media are presented in close relationship, it will be central to consider the new circulation of these discursive productions in what we define as virtual space (Carl&amp;oacute;n, 2016).&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords: &lt;/strong&gt;Humour, Politics, Communication, Art, Activism.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maximiliano de la PUENTE &amp;amp; Ramiro MANDUCA, &quot;&lt;/strong&gt;&lt;strong&gt;L&#039;humour dans l&#039;espace public r&amp;eacute;el et virtuel. Analyse de deux exp&amp;eacute;riences de collectifs d&#039;activisme artistique en Argentine&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;. &lt;/strong&gt;Dans cet article, nous analysons certaines des productions les plus remarquables de deux des collectifs d&#039;activisme artistique (Longoni, P&amp;eacute;rez Rocca, Lidia, Di Filippo, 2017) qui ont influenc&amp;eacute; l&#039;espace public r&amp;eacute;el et virtuel en Argentine ces derni&amp;egrave;res ann&amp;eacute;es, une p&amp;eacute;riode marqu&amp;eacute;e par une nouvelle vague de politiques n&amp;eacute;olib&amp;eacute;rales exprim&amp;eacute;es dans le gouvernement de l&#039;Alianza Cambiemos, qui a remport&amp;eacute; les &amp;eacute;lections pr&amp;eacute;sidentielles de 2015. Ces groupes utilisent des strat&amp;eacute;gies o&amp;ugrave; l&#039;humour occupe une place pr&amp;eacute;pond&amp;eacute;rante&amp;nbsp;: nous faisons r&amp;eacute;f&amp;eacute;rence au collectif Alegr&amp;iacute;a et au collectif Fin De Un Mundo (FUNO). Le processus de m&amp;eacute;diatisation de la politique implique une structuration des logiques politiques en fonction de celles qui &amp;eacute;mergent des m&amp;eacute;dias de masse (Veron, 2012). Dans la soci&amp;eacute;t&amp;eacute; contemporaine, nous pouvons observer une crise de l&#039;h&amp;eacute;g&amp;eacute;monie des m&amp;eacute;dias de masse, c&#039;est-&amp;agrave;-dire entre ce syst&amp;egrave;me et celui des r&amp;eacute;seaux sociaux de l&#039;&amp;egrave;re num&amp;eacute;rique, c&#039;est pourquoi dans cette analyse o&amp;ugrave; la communication, l&#039;art et les m&amp;eacute;dias sont pr&amp;eacute;sent&amp;eacute;s en &amp;eacute;troite relation, il sera central consid&amp;eacute;rer la nouvelle circulation de ces productions discursives dans ce que nous d&amp;eacute;finissons comme l&#039;espace virtuel (Carl&amp;oacute;n, 2016).&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s: &lt;/strong&gt;Humour, Politique, Communication, Art, Activisme.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/atlante-13/18.-delapuente-revuel-humor-en-el-espacio-publico-real-y-virtual-analisis-de-dos-experiencias-de-colectivos-de-activismo-artistico-en-argentina.-decembre-2020.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 1 Mb)&lt;/a&gt;&lt;/p&gt;
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		<pubDate>Sat, 13 Feb 2021 19:15:00 +0100</pubDate>
		<dc:creator>marianne.bloch-robin</dc:creator>
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