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Atlante - Revue d'études romanes - Tag capitalismo-gore https://atlante.univ-lille.fr/tag/capitalismo-gore fr Sat, 25 Apr 2020 16:11:00 +0200 PluXml 03. Una retórica de la violencia. Necroescrituras en <em>Temporada de huracanes</em> de Fernanda Melchor https://atlante.univ-lille.fr/una-retorica-de-la-violencia-necroescrituras-en-emtemporada-de-huracanes-em-de-fernanda-melchor.html https://atlante.univ-lille.fr/una-retorica-de-la-violencia-necroescrituras-en-emtemporada-de-huracanes-em-de-fernanda-melchor.html <p>Edgardo &Iacute;&ntilde;iguez<br />Universidad de Guadalajara /M&eacute;xico<br />p.51-65.</p><p style="text-align: justify;"><strong>Edgardo &Iacute;&ntilde;iguez,</strong> <strong>&ldquo;Una ret&oacute;rica de la violencia. Necroescrituras en <em>Temporada de huracanes</em> de Fernanda Melchor&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Resumen:</strong> En <em>Temporada de huracanes</em> (2017), de Fernanda Melchor, el asesinato de la Bruja revela una serie de relaciones violentas entre los habitantes de La Matosa. El objetivo de este trabajo es analizar una de las formas en que responde el lenguaje literario ante las condiciones neoliberales, bajo la forma del capitalismo <em>gore</em>, entre otras, que predominan en la actualidad. De forma particular, el polis&iacute;ndeton, como recurso est&eacute;tico y como forma vehemente de enunciar el mundo, representa aspectos de los recientes cambios sociales que han convertido a M&eacute;xico en un campo de guerra y que apuntan a la presencia normalizada de la muerte en el pa&iacute;s. En ese sentido, el texto puede entenderse a partir de la po&eacute;tica y la &eacute;tica que propone el concepto &ldquo;necroescrituras&rdquo;, propuesto por Cristina Rivera Garza en su ensayo <em>Los muertos ind&oacute;ciles </em>(2013). Se trata de dilucidar una de las l&iacute;neas escriturales que emergen de condiciones de extrema mortandad.</p> <p style="text-align: justify;"><strong>Palabras clave: </strong>violencia,necroescrituras, narrativa mexicana contempor&aacute;nea, capitalismo <em>gore</em>, necropol&iacute;ticas.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong><strong>Edgardo &Iacute;&ntilde;iguez</strong>,&laquo;&nbsp;Une rh&eacute;torique de la violence. N&eacute;cro&eacute;scritures dans <em>Temporada de huracanes</em> de Fernanda Melchor&nbsp;&raquo;.</strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute; :</strong> Dans <em>Temporada de huracanes</em> (2017) de Fernanda Melchor, l&rsquo;assassinat de la &laquo;&nbsp;Sorci&egrave;re&nbsp;&raquo; r&eacute;v&egrave;le une s&eacute;rie de rapports violents entre les habitants de La Matosa. L&rsquo;objectif de notre travail sur ce roman consiste &agrave; analyser les ressorts que poss&egrave;de le langage litt&eacute;raire pour r&eacute;pondre aux conditions n&eacute;olib&eacute;rales, notamment le capitalisme <em>gore</em>, qui de nos jours pr&eacute;dominent. Ainsi, la polysynd&egrave;te, en tant que ressource esth&eacute;tique et moyen v&eacute;h&eacute;ment d&rsquo;&eacute;noncer le monde, cherche &agrave; repr&eacute;senter un aspect des r&eacute;cents changements sociaux qui ont fait du Mexique un terrain de guerre. Ce dernier point indique la pr&eacute;sence normalis&eacute;e de la mort dans ce pays. En ce sens, le texte litt&eacute;raire peut &ecirc;tre compris &agrave; partir de la po&eacute;tique et de l&rsquo;&eacute;thique pr&eacute;sentes dans le concept de &laquo;&nbsp;n&eacute;cro&eacute;critures&nbsp;&raquo; propos&eacute; par Cristina Rivera Garza dans son essai <em>Los muertos ind&oacute;ciles </em>(2013). Il s&rsquo;agira, donc, dans cette &eacute;tude, de d&eacute;finir l&rsquo;une des lignes scripturaires qui &eacute;mergent de certaines conditions de mortalit&eacute; extr&ecirc;me.</p> <p style="text-align: justify;"><strong>Mots-cl&eacute;s :</strong> violence, n&eacute;cro&eacute;critures, narration mexicaine contemporaine, capitalisme <em>gore</em>, n&eacute;cropolitique.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong><strong>Edgardo &Iacute;&ntilde;iguez</strong>,&ldquo;A rhetoric of violence. Necrowriting in <em>Temporada de huracanes</em> by Fernanda Melchor&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Abstract:</strong> In <em>Temporada de huracanes</em> (2017), by Fernanda Melchor, the murder of la Bruja reveals a series of violent relationships between the inhabitants of La Matosa. The aim of this work is to analyze one of the ways in which literary language responds to neoliberal conditions, in the form of gore capitalism, among others, which predominate today. In particular, the polysyndeton, as an aesthetic resource and as a vehement way of enunciating the world, represents aspects of the recent social changes that have turned Mexico into a war field. The latter point to the normalized presence of death in the country. In that sense, the text can be understood from the poetics and ethics proposed by the concept of &ldquo;necro-writings&rdquo;, proposed by Cristina Rivera Garza in her essay <em>Los muertos ind&oacute;ciles</em> (2013). In this study, therefore, the aim will be to elucidate one of the scriptural lines that emerge from conditions of extreme mortality.</p> <p style="text-align: justify;"><strong>Keywords:</strong> violence, necro-writings, contemporary Mexican narrative, gore capitalism, necropolitics.</p> <p style="text-align: justify;"><a href="https://atlante.univ-lille.fr/data/images/atlante-11/51-65-03.-iniguez-una-reto-rica-de-la-violencia.pdf">T&eacute;l&eacute;charger l'articles complet (pdf, 183 Kb)</a></p> <p style="text-align: justify;">&nbsp;</p> Sat, 25 Apr 2020 16:11:00 +0200 marianne.bloch-robin