Atlante - Revue d'études romanes

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	<title>Atlante - Revue d&#039;études romanes - Tag caprichos</title>
	<link>https://atlante.univ-lille.fr/tag/caprichos</link>
	<language>fr</language>
	<description></description>
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		<title>03. Les coquettes de Goya. De &lt;em&gt;Las Jóvenes&lt;/em&gt; à &lt;em&gt;Las Viejas&lt;/em&gt;, en passant par quelques figures féminines des &lt;em&gt;Caprichos&lt;/em&gt;</title> 
		<link>https://atlante.univ-lille.fr/03-les-coquettes-de-goya-de-las-jovenes-a-las-viejas-en-passant-par-quelques-figures-feminines-des-caprichos.html</link>
		<guid>https://atlante.univ-lille.fr/03-les-coquettes-de-goya-de-las-jovenes-a-las-viejas-en-passant-par-quelques-figures-feminines-des-caprichos.html</guid>
		<description>&lt;p&gt;Maud Le Guellec&lt;br /&gt;Universit&amp;eacute; de Lille &amp;ndash; Sciences Humaines et Sociales&lt;br /&gt;p. 30-57.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maud LE GUELLEC, &amp;laquo;&amp;nbsp;Les coquettes de Goya. De &lt;em&gt;Las J&amp;oacute;venes &lt;/em&gt;&amp;agrave; &lt;em&gt;Las Viejas&lt;/em&gt;, en passant par quelques figures f&amp;eacute;minines des &lt;em&gt;Caprichos&lt;/em&gt;&amp;nbsp;&amp;raquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&amp;nbsp;&lt;/strong&gt;Cet article se propose de lier les &amp;oelig;uvres de Goya pr&amp;eacute;sentes dans les collections du Palais des Beaux-Arts de Lille &amp;ndash; &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt; et une s&amp;eacute;rie compl&amp;egrave;te des &lt;em&gt;Caprichos&lt;/em&gt; &amp;ndash; selon le fil directeur de la moquerie&amp;nbsp;: celle dont fait preuve l&amp;rsquo;artiste face &amp;agrave; la superficialit&amp;eacute; f&amp;eacute;minine. Id&amp;eacute;ologie des Lumi&amp;egrave;res ou r&amp;eacute;flexion existentielle, satire sociale ou politique&amp;nbsp;: quels v&amp;eacute;ritables objectifs se cachent derri&amp;egrave;re ces figures de jeunes et de vieilles coquettes&amp;nbsp;?&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s. &lt;/strong&gt;Goya, femmes, coquetterie, &lt;em&gt;Caprichos&lt;/em&gt;, &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt;.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maud LE GUELLEC, &amp;ldquo;Las coquetas de Goya. De &lt;em&gt;Las J&amp;oacute;venes &lt;/em&gt;a &lt;em&gt;Las Viejas&lt;/em&gt;, pasando por algunas figuras femeninas de los &lt;em&gt;Caprichos&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen.&amp;nbsp;&lt;/strong&gt;Este art&amp;iacute;culo se propone vincular las obras de Goya presentes en las colecciones del Palais des Beaux-Arts de Lille &amp;ndash; &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt; y una serie completa de los &lt;em&gt;Caprichos&lt;/em&gt; &amp;ndash; seg&amp;uacute;n el hilo conductor de la mofa: la que caracteriza al artista cuando aborda la superficialidad femenina. Ideolog&amp;iacute;a de la Ilustraci&amp;oacute;n o reflexi&amp;oacute;n existencial, s&amp;aacute;tira social o pol&amp;iacute;tica: &amp;iquest;cu&amp;aacute;les son los verdaderos objetivos que se esconden tras dichas figuras de coquetas, j&amp;oacute;venes o viejas?&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras claves. &lt;/strong&gt;Goya, mujeres, coqueter&amp;iacute;a, &lt;em&gt;Caprichos&lt;/em&gt;, &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt;.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Maud LE GUELLEC, &amp;ldquo;The Coquettes of Goya. From &lt;em&gt;Las J&amp;oacute;venes &lt;/em&gt;to &lt;em&gt;Las Viejas&lt;/em&gt;, Including Some Feminine Figures of the &lt;em&gt;Caprichos&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract.&amp;nbsp;&lt;/strong&gt;This article aims to link Goya&amp;rsquo;s works that are included in the Palais des Beaux-Arts of Lille&amp;rsquo;s collections &amp;ndash; &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt; to a complete set of the &lt;em&gt;Caprichos&lt;/em&gt; &amp;ndash; according to a central theme: the mocking attitude which is displayed by the artist when approaching feminine superficiality. Enlightenment ideology or existential consideration? Social or political satire? What are the real objectives hidden behind these characters of young and old coquettes?&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords.&amp;nbsp;&lt;/strong&gt;Goya, women, vanity, &lt;em&gt;Caprichos&lt;/em&gt;, &lt;em&gt;Las Viejas, o El Tiempo&lt;/em&gt;, &lt;em&gt;Las J&amp;oacute;venes, o La Carta&lt;/em&gt;.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_6_4.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 1 Mb)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description>
		<pubDate>Thu, 21 Jun 2018 09:11:00 +0200</pubDate>
		<dc:creator>admin</dc:creator>
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		<title>01. Nestor Regnard et la mystérieuse provenance des &lt;em&gt;Caprichos&lt;/em&gt; de Goya du Palais des Beaux-Arts de Lille</title> 
		<link>https://atlante.univ-lille.fr/01-nestor-regnard-et-la-mysterieuse-provenance-des-caprichos-de-goya-du-palais-des-beaux-arts-de-lille.html</link>
		<guid>https://atlante.univ-lille.fr/01-nestor-regnard-et-la-mysterieuse-provenance-des-caprichos-de-goya-du-palais-des-beaux-arts-de-lille.html</guid>
		<description>&lt;p&gt;Cord&amp;eacute;lia Hattori&lt;br /&gt;Charg&amp;eacute;e du Cabinet des dessins au Palais des Beaux-Arts de Lille&lt;br /&gt;p. 11-21.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Cord&amp;eacute;lia HATTORI, &amp;laquo;&amp;nbsp;Nestor Regnard et la myst&amp;eacute;rieuse provenance des&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;&amp;nbsp;de Goya du Palais des Beaux-Arts de Lille&amp;nbsp;&amp;raquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&amp;nbsp;&lt;/strong&gt;Le Palais des Beaux-Arts de Lille conserve un exemplaire de la premi&amp;egrave;re &amp;eacute;dition des&amp;nbsp;&lt;em&gt;Caprichos&amp;nbsp;&lt;/em&gt;de Goya mais jusqu&amp;rsquo;&amp;agrave; pr&amp;eacute;sent la provenance de cet album n&amp;rsquo;a pu &amp;ecirc;tre d&amp;eacute;termin&amp;eacute;e. Face &amp;agrave; un tel myst&amp;egrave;re, cet article nous pr&amp;eacute;sente quelques &amp;eacute;l&amp;eacute;ments-cl&amp;eacute;s, pour tenter de mieux comprendre le parcours de cet exemplaire. Pour cela, il s&amp;rsquo;int&amp;eacute;resse notamment &amp;agrave; l&amp;rsquo;histoire du mus&amp;eacute;e de la gravure, qui ouvre ses portes en 1887, &amp;agrave; l&amp;rsquo;inventaire &amp;eacute;tabli dans les premi&amp;egrave;res ann&amp;eacute;es du XX&lt;sup&gt;e&lt;/sup&gt;&amp;nbsp;si&amp;egrave;cle et au collectionneur valenciennois, Nestor Regnard (1806-1885), une personnalit&amp;eacute; &amp;agrave; red&amp;eacute;couvrir.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s.&lt;/strong&gt; Goya,&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;, Nestor Regnard, mus&amp;eacute;e, Lille, collection.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Cord&amp;eacute;lia HATTORI, &amp;ldquo;Nestor Regnard y la misteriosa procedencia de los&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;&amp;nbsp;de Goya del Palacio de Bellas Artes de Lille&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen.&amp;nbsp;&lt;/strong&gt;El Palacio de Bellas Artes de Lille conserva un ejemplar de la primera edici&amp;oacute;n de los&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;&amp;nbsp;de Goya pero hasta ahora la procedencia de este &amp;aacute;lbum no pudo ser determinada. Ante tal misterio, este art&amp;iacute;culo nos presenta algunos elementos claves, para intentar entender mejor el trayecto de este ejemplar. Para ello, se centra en particular en la historia del museo del grabado, que abre sus puertas en 1887, en el inventario establecido a principios del siglo XX y en el coleccionista oriundo de Valenciennes, Nestor Regnard (1806-1885), una figura a la que cabe redescubrir.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave.&lt;/strong&gt; Goya,&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;, Nestor Regnard, museo, Lille, colecci&amp;oacute;n.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Cord&amp;eacute;lia HATTORI, &amp;ldquo;Nestor Regnard and the Mysterious Origin of Goya&amp;rsquo;s&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;&amp;nbsp;of the Palace of Fine Arts of Lille&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract.&amp;nbsp;&lt;/strong&gt;The Palace of Fine Arts of Lille conserves a copy of the first edition of Goya&amp;rsquo;s&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;, but until now, the origin of this album could not be determined. In front of such a mystery, this article presents us with some key elements to try to better understand the history of this copy. In order to do so, it focuses on the history of the museum of the print, which opened its doors in 1887, on the inventory established at the beginning of the 20&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;century, and on the collector from Valenciennes, Nestor Regnard (1806-1885), a personality which we must rediscover.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords.&amp;nbsp;&lt;/strong&gt;Goya,&amp;nbsp;&lt;em&gt;Caprichos&lt;/em&gt;, Nestor Regnard, museum, Lille, collection.&lt;/p&gt;
&lt;h2 style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/h2&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_6_2.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 1 Mb)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&amp;nbsp;&lt;/em&gt;&lt;/p&gt;</description>
		<pubDate>Thu, 21 Jun 2018 09:08:00 +0200</pubDate>
		<dc:creator>admin</dc:creator>
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