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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag contamination
https://atlante.univ-lille.fr/tag/contamination
frWed, 15 May 2019 18:56:00 +0200PluXml07. La passion du théâtrophobe, entre conversion, contamination et contagion
https://atlante.univ-lille.fr/07-la-passion-du-theatrophobe-entre-conversion-contamination-et-contagion.html
https://atlante.univ-lille.fr/07-la-passion-du-theatrophobe-entre-conversion-contamination-et-contagion.html<p>François Lecercle<br />Sorbonne Université<br />Labex Obvil, CRLC, EA 4510<br />p. 132-147.</p><p> </p>
<p><strong>François Lecercle, « La passion du théâtrophobe, entre conversion, contamination et contagion ».</strong></p>
<p><strong>Résumé. </strong>Les polémiques sur le théâtre de l’Europe moderne ont fait une assez large place aux passions. Les théâtrophobes héritent d’une conception négative de la passion comme trouble du jugement et perturbation de l’âme. Mais ils développent deux conceptions spécifiques, en réponse à l’action de conversion et d’épuration (catharsis) que la pensée théâtrophile emprunte à Aristote pour démontrer les bienfaits du théâtre. Le premier modèle est frontal et singulier : la représentation agit par un processus de contamination individuelle qui est le contraire de la catharsis. Le second est latéral et collectif : le spectacle provoque une contagion qui, de proche en proche, pervertit les spectateurs. Ces deux modèles supposent deux visions du public, envisagé tantôt comme collection d’individus isolés, réagissant aux impressions que l’action scénique produit en leur for intérieur, tantôt comme communauté soudée par la circulation des affects.</p>
<p><strong>Mots-clé. </strong>Théâtre, Polémique, Catharsis, Contagion, Contamination.</p>
<p> </p>
<p><strong>François Lecercle, « Theatrophobe passion, between conversion, contamination and contagion ».</strong></p>
<p><span lang="en-US">Abstract. </span><span lang="en-US">Passions have played a notable role in the quarrels about the stage of modern Europe. Theatrophobes inherit a negative conception of the passions as judgmental disorder and disturbance of the soul and they develop two specific concepts, in order to counter the ideas of conversion and purification (catharsis) that theatrophiles borrow from Aristotle in their defense of the benefits of the stage. The first model is that of a contagion – a direct and individual response which is the opposite of catharsis. The second is lateral and collective: performances pervert spectators by a process of contamination. These models are based on two conceptions of the audience: either as a collection of isolated individuals reacting to the impressions aroused by the performance, or as a community unified by the circulation of strong emotions. </span></p>
<p><strong>Keywords. </strong>Theatre, Polemics, Catharsis, Contagion, Contamination.</p>
<p> </p>
<p><strong>François Lecercle, « La passione del teatrofobo, tra conversione, contaminazione e contagione ».</strong></p>
<p><strong>Sintesi. </strong>Le passioni hanno svolto un ruolo fondamentale nelle polemiche sul teatro dell’Europa moderna. I teatrofobi sono eredi di una concezione negativa della passione come disordine delle facoltà intellettive e disturbo dell’anima. Ma essi sviluppano due concezioni specifiche, in risposta all’azione di conversione e di purgazione (catarsi) che il pensiero teatrofilo riprende da Aristotele per dimostrare gli effetti positivi del teatro. Il primo modello è frontale e singolare : la rappresentazione agisce tramite un processo do contaminazione individuale che è il contrario della catarsi. Il secondo è laterale e collettivo : lo spettacolo provoca una contagione che passando dall’uno all’altro pervertisce gli spettatori. Questi due modelli presuppongono due visioni del pubblico, concepito talvolta comme un insieme d’individui isolati che reagiscono alle impressioni in essi suscitate dall’azione scenica, oppure come una comunità unita dalla circolazione delle emozioni.</p>
<p><strong>Parole chiavi. </strong>Teatro, Polemiche, Catarsi, Contagione, Contaminazione.</p>
<p> </p>
<p><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_8.pdf"><strong>Télécharger l'article complet (pdf, 197 Kb)</strong></a></p>Wed, 15 May 2019 18:56:00 +0200daniel.ramirezmahecha