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Atlante - Revue d'études romanes - Tag disparus https://atlante.univ-lille.fr/tag/disparus fr Fri, 01 Nov 2019 15:58:00 +0100 PluXml 14.<em>Historietas por la identidad – HxI</em> : la bande dessinée documentaire, écriture visuelle des histoires et de l’Histoire https://atlante.univ-lille.fr/114-emhistorietas-por-la-identidad-hxi-em-la-bande-dessinee-documentaire-ecriture-visuelle-des-histoires-et-de-lhistoire.html https://atlante.univ-lille.fr/114-emhistorietas-por-la-identidad-hxi-em-la-bande-dessinee-documentaire-ecriture-visuelle-des-histoires-et-de-lhistoire.html <p>Camille Pouzol<br />Sorbonne Universit&eacute;<br />CRIMIC EA 2561<br />p.239-262.</p><p><strong>Camille POUZOL, <em>Historietas por la identidad</em> &ndash; <em>HxI&nbsp;</em>: la bande dessin&eacute;e documentaire, &eacute;criture visuelle des histoires et de l&rsquo;Histoire. </strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;. </strong>L&rsquo;ouvrage collectif <em>Historietas por la identidad, </em>publi&eacute; en 2015 par la Biblioteca Nacional de Buenos Aires, est le fruit d&rsquo;un travail men&eacute; par l&rsquo;association Abuela de la Plaza de Mayo qui s&rsquo;est associ&eacute;e &agrave; plusieurs auteurs (sc&eacute;naristes et dessinateurs) de bandes dessin&eacute;es. &Aacute; travers l&rsquo;analyse de deux histoires courtes, nous pourrons voir que cette <em>historieta documental</em> rejoint la litt&eacute;rature non-fictionnelle et la <em>creative nonfiction</em> en int&eacute;grant au sein m&ecirc;me du r&eacute;cit des faits av&eacute;r&eacute;s, des &eacute;l&eacute;ments fictifs et r&eacute;els ainsi que le reflet du regard de l&rsquo;auteur sur cette histoire singuli&egrave;re. L&rsquo;hybridit&eacute; narrative propre au Neuvi&egrave;me art, associ&eacute;e &agrave; la potentialit&eacute; graphique du m&eacute;dia, produit un savoir historique dans la mesure o&ugrave; ces bandes dessin&eacute;es deviennent &agrave; la fois repr&eacute;sentation des histoires et de l&rsquo;Histoire. La m&eacute;diation artistique permet de raconter et montrer les horreurs de la dictature argentine (1976-1983), mais aussi de raconter l&rsquo;histoire des pers&eacute;cut&eacute;s. L&rsquo;emploi du &laquo;&nbsp;tu&nbsp;&raquo; et du &laquo;&nbsp;nous&nbsp;&raquo; nous interroge &eacute;galement sur la place du lecteur/r&eacute;cepteur qui devient t&eacute;moin d&rsquo;une Histoire, mais qui peut aussi devenir acteur de sa propre histoire.</p> <p><strong>Mots cl&eacute;s. </strong>Bande dessin&eacute;e documentaire, dictature argentine, Abuelas de Plaza de Mayo, disparus, histoire, m&eacute;moire</p> <p>&nbsp;</p> <p><strong>Camille POUZOL, <em>Historietas por la identidad</em> &ndash; <em>HxI&nbsp;</em>: la historieta documental, escritura visual de las historias y de la Historia. </strong></p> <p style="text-align: justify;"><strong>Resumen. </strong>El libro colectivo <em>Historietas por la identidad, </em>publicado en 2015 por la Biblioteca Nacional de Buenos Aires, es el fruto de un trabajo llevado a cabo por la asociaci&oacute;n Abuela de la Plaza de Mayo que se asoci&oacute; con varios autores (guionistas y dibujantes) de historietas. A trav&eacute;s del analisis de dos historias cortas, podremos ver que esta <em>historieta documental</em> se une con la literatura no ficcionaly la <em>creative nonfiction</em> al integrar dentro del propio relato hechos comprobados, elementos ficticios y reales as&iacute; como el reflejo de la mirada del autor sobre esta singular historia. El hibridismo narrativo, propio del Noveno arte, asociado con la potencialidad gr&aacute;fica del medio, produce un saber hist&oacute;rico en la medida en que estas historietas se vuelven, a la vez, representaci&oacute;n de historias y de la Historia. La medicaci&oacute;n art&iacute;stica permite contar y mostrar los horrores de la dictadura argentina (1976-1983), pero tambi&eacute;n contar la historia de los perseguidos. El uso del &laquo;&nbsp;t&uacute;&nbsp;&raquo; y del &laquo;&nbsp;nosotros&nbsp;&raquo; nos interroga tambi&eacute;n sobre el lugar del lector/receptor que se vuelve testigo de una Historia, pero que puede tambi&eacute;n hacerse actor de su propia historia.</p> <p><strong>Palabras clave. </strong>Historieta documental, dictadura argentina, Abuelas de Plaza de Mayo, desaparecidos, historia, memoria</p> <p>&nbsp;</p> <p><strong>Camille POUZOL, <em>Historietas por la identidad - Hxl: documentary comics, visual writing of stories and of History. </em> </strong></p> <p><strong>Abstract. </strong>The collective work <em>Historietas por la identidad</em>, published in 2015 by the Biblioteca Nacional de Buenos Aires, is the work lead by the organization of Abuelas de Plaza de Mayo with various authors (scriptwriters and artists) of comics book.</p> <p style="text-align: justify;">Through the analysis of two short stories, we can see that this &laquo;&nbsp;comics documentary&nbsp;&raquo; meets the &laquo;&nbsp;nonfiction literature&nbsp;&raquo; and the &laquo;&nbsp;creative nonfiction&nbsp;&raquo; by incorporating inside the story itself hard facts, elements from fictional and real stories as well as the reflection of the author&rsquo;s point of view on this singular story. The narrative hybridity specific to the Ninth art, combined with the graphic potential of the media, produces an historical knowledge insofar as these comics books become at the same time the representation of stories and History. The artistic mediation not only enables to tell and show the horrors of the Argentinian dictatorship (1976-1983), but also to tell the story of the persecuted people. The use of the &laquo;&nbsp;you&nbsp;&raquo; and the &laquo;&nbsp;we&nbsp;&raquo; also questions us about the position of the reader /receptor who becomes a witness of a story, but who can also become actor of his own story.</p> <p><strong>Keywords. </strong>Comics documentary, Argentinian dictatorship. Abuelas de Plaza de Mayo, missing persons, history, memory</p> <p><a href="https://atlante.univ-lille.fr/data/images/atlante-10-2/239-262-c.-pouzol.pdf">T&eacute;l&eacute;charger l'article complet (Pdf, 3Mb)</a></p> Fri, 01 Nov 2019 15:58:00 +0100 marianne.bloch-robin