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Atlante - Revue d'études romanes - Tag fantasmagorie https://atlante.univ-lille.fr/tag/fantasmagorie fr Thu, 21 Jun 2018 09:15:00 +0200 PluXml 09. Étude des <em>Desastres de la guerra</em> : entre fantasmagories et visions pré-photographiques. Autour du corps violenté https://atlante.univ-lille.fr/09-etude-des-desastres-de-la-guerra-entre-fantasmagories-et-visions-pre-photographiques-autour-du-corps-violente.html https://atlante.univ-lille.fr/09-etude-des-desastres-de-la-guerra-entre-fantasmagories-et-visions-pre-photographiques-autour-du-corps-violente.html <p>Corinne Cristini<br />Universit&eacute; Paris-Sorbonne<br />CRIMIC<br /> p. 172-204.</p><p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Corinne CRISTINI, &laquo;&nbsp;&Eacute;tude des <em>Desastres de la guerra</em>&nbsp;: entre fantasmagories et visions pr&eacute;-photographiques. Autour du corps violent&eacute;&nbsp;&raquo;.</strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;.&nbsp;</strong>Cette &eacute;tude se propose de revisiter les <em>Desastres de la guerra</em> de Goya en consid&eacute;rant essentiellement deux aspects a priori antinomiques, et qui, pourtant, s&rsquo;auto-alimentent chez l&rsquo;artiste&nbsp;: d&rsquo;une part, l&rsquo;art de la fantasmagorie, et d&rsquo;autre part, une modernit&eacute; esth&eacute;tique transgressive, un nouveau regard &laquo;&nbsp;pr&eacute;-photographique&nbsp;&raquo;. Nous nous interrogerons sur les proc&eacute;d&eacute;s plastiques mis en &oelig;uvre par Goya et sur le primat accord&eacute; au corps&nbsp;tortur&eacute;, viol&eacute;, mutil&eacute;, soumis &agrave; toutes les formes de barbarie. En dernier lieu, nous nous int&eacute;resserons aux &eacute;l&eacute;ments qui conf&egrave;rent &agrave; ces gravures une dimension universelle en mettant l&rsquo;accent notamment sur les sources artistiques et religieuses qui nourrissent l&rsquo;&oelig;uvre goyesque.</p> <p style="text-align: justify;"><strong>Mots-cl&eacute;s.</strong> Goya, <em>Desastres de la guerra</em>, fantasmagorie, photographie, corps, torture.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Corinne CRISTINI, &ldquo;Estudio de los <em>Desastres de la guerra</em>: entre fantasmagor&iacute;as y visiones pre-fotogr&aacute;ficas. En torno al cuerpo violentado&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Resumen.&nbsp;</strong>Este estudio se propone revisitar los <em>Desastres de la guerra</em> de Goya considerando especialmente dos aspectos aparentemente antin&oacute;micos, pero que, en realidad, se autoalimentan en la obra goyesca: por una parte, el arte de la fantasmagor&iacute;a, y, por otra parte, una modernidad est&eacute;tica transgresiva, una nueva mirada &ldquo;pre-fotogr&aacute;fica&rdquo;. Cuestionaremos los procedimientos pl&aacute;sticos usados por Goya y la importancia otorgada al cuerpo torturado, violado, mutilado, sometido a todas las formas de barbarie. Por fin, nos interesaremos en los elementos que confieren a estos grabados una dimensi&oacute;n universal recalcando particularmente las fuentes art&iacute;sticas y religiosas que nutren la obra goyesca.</p> <p style="text-align: justify;"><strong>Palabras claves.&nbsp;</strong>Goya, <em>Desastres de la guerra</em>, fantasmagor&iacute;a, fotograf&iacute;a, cuerpo, tortura.</p> <p style="text-align: justify;"><em>&nbsp;</em></p> <p style="text-align: justify;"><strong>Corinne CRISTINI, &ldquo;Study of the <em>Desastres de la guerra</em>: between Phantasmagorias and Pre-photographic Visions. About the Violated Body&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Abstract.&nbsp;</strong>The purpose of this study is to revisit Goya&rsquo;s <em>Desastres de la guerra</em> by focusing on two aspects which seem contradictory prima facie, but are actually sustaining one another in the artist&rsquo;s work: the art of phantasmagoria on the one hand, and a transgressive aesthetic modernity &ndash; or a new &ldquo;pre-photographic&rdquo; view &ndash; on the other. It examines the plastic processes used by Goya as well as the prominence he gives to the tortured, violated, mutilated body, which has been subjected to every possible form of barbarism. Lastly, it is interested in the elements which convey a universal dimension to Goya&rsquo;s engravings, with a special emphasis on the artistic and religious sources nourishing his work.</p> <p style="text-align: justify;"><strong>Keywords.&nbsp;</strong>Goya, <em>Desastres de la guerra</em>, phantasmagoria, photography, body, torture.</p> <p style="text-align: justify;">&nbsp;</p> <p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_6_10.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 1 Mb)</a></strong></p> Thu, 21 Jun 2018 09:15:00 +0200 admin