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Atlante - Revue d'études romanes - Tag henri-rousseau https://atlante.univ-lille.fr/tag/henri-rousseau fr Thu, 21 Jun 2018 09:46:00 +0200 PluXml 07. <em>La buena fama durmiendo</em>: otro acercamiento https://atlante.univ-lille.fr/07-2-la-buena-fama-durmiendo-otro-acercamiento.html https://atlante.univ-lille.fr/07-2-la-buena-fama-durmiendo-otro-acercamiento.html <p>Jos&eacute; Antonio Rodriguez<br />Revista <em>Alquimia</em><br />M&eacute;xico<br />p. 18-24.</p><p>&nbsp;</p> <p><strong><strong>Jos&eacute; Antonio RODR&Iacute;GUEZ, &laquo; <em>La buena fama durmiendo: </em>variaciones &raquo;. </strong></strong></p> <p style="text-align: justify;"><strong>Resumen.</strong>&nbsp;Este estudio recuerda las circunstancias en que se cre&oacute; la fotograf&iacute;a m&aacute;s famosa de Manuel &Aacute;lvarez Bravo,&nbsp;<em>La buena fama durmiendo</em>&nbsp;(1938-1939). Inicialmente un pedido de Andr&eacute; Breton para la portada del cat&aacute;logo de la Exposici&oacute;n internacional del Surrealismo que se realizar&iacute;a en la Ciudad de M&eacute;xico en 1940, la imagen fue finalmente censurada por la galer&iacute;a que edit&oacute; el cat&aacute;logo. El art&iacute;culo analiza la presencia de vendajes en el cuerpo de Alicia &ndash;la modelo&ndash; y de abrojos cerca de su pubis. Examina la &iacute;ndole surrealista de la obra y sus posibles v&iacute;nculos con la pintura&nbsp;<em>La gitana dormida</em>&nbsp;(1887) de Henri Rousseau, con la fotograf&iacute;a de Edward Weston&nbsp;<em>Tina en la azotea</em>, tomada en la Ciudad de M&eacute;xico en 1924, y con otras im&aacute;genes del mismo &Aacute;lvarez Bravo.</p> <p><strong>Palabras clave.&nbsp;</strong>Manuel &Aacute;lvarez Bravo,&nbsp;<em>La buena fama durmiendo</em>, abrojos, Andr&eacute; Breton, Henri Rousseau, Edward Weston.</p> <p>&nbsp;</p> <p><strong><strong>Jos&eacute; Antonio RODR&Iacute;GUEZ, &laquo; <em>La Bonne Renomm&eacute;e endormie </em>: variations &raquo;. </strong></strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;.</strong> Cette &eacute;tude rappelle les circonstances de la cr&eacute;ation de la photographie la plus c&eacute;l&egrave;bre de Manuel &Aacute;lvarez Bravo,&nbsp;<em>La Bonne Renomm&eacute;e endormie</em>&nbsp;(1938-39). Cette image &eacute;tait initialement une commande d&rsquo;Andr&eacute; Breton pour la couverture du catalogue de l&rsquo;Exposition internationale du Surr&eacute;alisme qui devait avoir lieu &agrave; Mexico en 1940&nbsp;; elle fut finalement censur&eacute;e par la galerie qui &eacute;dita le catalogue. L&rsquo;article analyse la pr&eacute;sence des bandages sur le corps d&rsquo;Alicia &ndash; le mod&egrave;le &ndash;, et celle des fruits &eacute;pineux &ndash;&nbsp;<em>abrojos</em>&nbsp;&mdash; &agrave; proximit&eacute; de son pubis. On y discute la nature surr&eacute;aliste de l&rsquo;&oelig;uvre et ses possibles liens avec&nbsp;<em>La Boh&eacute;mienne endormie</em>&nbsp;(1887) du Douanier Rousseau, avec la photographie d&rsquo;Edward Weston&nbsp;<em>Tina sur la terrasse</em>, prise &agrave; Mexico en 1924, ou encore avec d&rsquo;autres images d&rsquo;&Aacute;lvarez Bravo lui-m&ecirc;me.</p> <p><strong>Mots-cl&eacute;s.&nbsp;</strong>Manuel &Aacute;lvarez Bravo,&nbsp;<em>La Bonne Renomm&eacute;e endormie</em>,&nbsp;<em>abrojos</em>, Andr&eacute; Breton, Henri Rousseau, Edward Weston.</p> <p>&nbsp;</p> <p><strong>Jos&eacute; Antonio RODR&Iacute;GUEZ, &ldquo;<em>Good Reputation Sleeping </em>: Variations&rdquo;. </strong></p> <p><strong>Abstract.&nbsp;</strong>This article reviews the circumstances behind the creation of Manuel &Aacute;lvarez Bravo&rsquo;s best-known photograph, <em>Good Reputation Sleeping </em>(1938-39). This image was initially commissioned by Andr&eacute; Breton for the cover of the catalogue of the International Surrealist Exhibition that was to take place in Mexico City in 1940; it ended upbeing censored by the gallery that published the catalogue. The article analyses the presence of bandages on the body of Alicia &mdash;the model&mdash; and of the spiny fruits &mdash; <em>abrojos&mdash; </em>near her groin. The surrealist nature of the work is studied, along with its possible relationship to Douanier Rousseau&rsquo;s <em>The Sleeping Gypsy </em>(1887), to Edward Weston&rsquo;s photograph <em>Tina on the Azotea</em>, captured in Mexico City in 1924, or to other images by &Aacute;lvarez Bravohimself.</p> <p><strong>Keywords. </strong>Manuel &Aacute;lvarez Bravo, <em>Good Reputation Sleeping</em>, <em>abrojos</em>, Andr&eacute; Breton,&nbsp;Henri Rousseau, Edward Weston.</p> <p>&nbsp;&nbsp;</p> <p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_3_2.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 245 Ko)</a></strong></p> Thu, 21 Jun 2018 09:46:00 +0200 admin