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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag hyperbole
https://atlante.univ-lille.fr/tag/hyperbole
frSat, 30 Jan 2021 15:05:00 +0100PluXml05.« Hénaurmité » graphique et dystopie critique dans les dessins de Miguel Brieva
https://atlante.univ-lille.fr/05-henaurmite-graphique-et-dystopie-critique-dans-les-dessins-de-miguel-brieva.html
https://atlante.univ-lille.fr/05-henaurmite-graphique-et-dystopie-critique-dans-les-dessins-de-miguel-brieva.html<p>Judite Rodrigues<br />Université de Bourgogne Franche-Comté <br />TIL EA 4182<br />p. 97-118</p><p style="text-align: justify;"><strong>Judite RODRIGUES, « </strong>“<strong>Hénaurmité</strong>”<strong> graphique et dystopie critique dans les dessins de Miguel Brieva »</strong></p>
<p style="text-align: justify;"><strong>Résumé. </strong>Dans les dessins de Miguel Brieva (Séville, 1974), l’humour participe assurément d’un exercice de déconstruction. Critique, moqueur, destructeur, son geste graphique se complait dans la propension à l’exagération, à l’hyperbole et au « superlatif ». L’intention est de mettre au jour les nouvelles formes de violence de la période présente de l’hypercapitalisme. La félicité n’étant guère questionneuse, c’est le dessin, en tant qu’outil de monstration, qui sera chargé de présenter les contreparties de nos jouissances acquises. Les images auront ici pour ambition de participer au renversement des insoutenables aujourd’hui à l’œuvre (Yves Citton) : insoutenable d’ordre social, éthique ou environnemental. L’humour dans un style de <em>loquacitas</em> graphique se déclinera dans cette analyse sur trois moments : le superlatif pour dire les excès du monde moderne, le hors-norme dans l’exercice d’anatomie de l’<em>homo consumens</em> et les distorsions et la carnavalisation de l’Histoire. <a name="_Hlk51144781"></a>L’insolite, l’étrange, le détournement des conventions trouveront ici leurs meilleures occasions de faire résurgence dans les modalités du geste graphique de ce dessinateur.</p>
<p style="text-align: justify;"><strong>Mots-clés: </strong>Image (domaine hispanique contemporain), humour, hyperbole, déformations carnavalesques, détournement.</p>
<p style="text-align: justify;"> </p>
<p style="text-align: justify;"><strong>Judite RODRIGUES, “Graphic hyperboles and critical dystopia in Miguel Brieva's drawings”</strong></p>
<p style="text-align: justify;"><strong>Abstract. </strong>In Miguel Brieva’s drawings, humour is certainly part of a deconstruction exercise. His graphic gesture often critical, sarcastic, destructive is characterized by exaggeration and hyperbole. The intention is to expose the new forms of violence of the present period of “hypercapitalism”. Drawing, as a tool of demonstration, is in charge of presenting the counterparts of our acquired pleasures. His images aim to contribute to the overthrow of the unsustainable (Yves Citton) at work today: unsustainable on a social, ethical or environmental level. To characterize the forms of humour in Brieva’s illustrations and drawings, this analysis will be organized into three parts: the expression of the superlative to show the excesses of the modern world, the “out of norm” in the exercise of the anatomy of <em>homo consumens</em>, and the distortions and carnivalization of History. The unusual, the uncanny, the changes in conventions will find in this work their best opportunities to reappear in the graphic performance approaches of this cartoonist.</p>
<p style="text-align: justify;"><strong>Keywords: </strong>Image (contemporary Hispanic domain), humour, hyperbole, distortion and alteration.</p>
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<p style="text-align: justify;"><strong>Judite RODRIGUES. </strong><strong>Hipérboles gráficas y distopía crítica en los dibujos de Miguel Brieva.</strong></p>
<p style="text-align: justify;"><strong>Resumen. </strong>En los dibujos de Miguel Brieva (Sevilla, 1974), el humor participa indudablemente de un trabajo de deconstrucción. Su expresión gráfica, a menudo crítica, burlona, destructora, se explaya en la hipérbole, en lo superlativo, en lo esperpéntico. Una de las finalidades de su obra es la de descubrir y sacar a la luz las nuevas formas de violencia del periodo presente del “hipercapitalismo”. Como la felicidad no suele ni cuestionar ni indagar, es el dibujo en tanto que herramienta de explicitación el que se verá encargado de exponer las contrapartidas de los placeres y deleites del “primer mundo”. Las propuestas gráficas de Brieva tratan de esos llamados “puntosinsostenibles” (Yves Citton) tanto a nivel social como a nivel ético, político o medioambiental. Para caracterizar las formas del humor en sus ilustraciones y dibujos, el presente análisis se organizará en tres partes: el empleo de lo superlativo para mostrar los excesos del mundo moderno, lo “fuera de norma” en el ejercicio de anatomía del <em>homo consumens </em>y por último las distorsiones y la “carnavalización” de la Historia. Lo insólito, lo extraño, el desvío de las convenciones encontrarán aquí sus oportunidades de reaparecer en las modalidades del gesto gráfico de este caricaturista.</p>
<p style="text-align: justify;"><strong>Palabras claves: </strong>Imagen (mundo hispánico contemporáneo), humor, hipérbole, deformación carnavalesca, distorsión y alteración.</p>
<p style="text-align: justify;"><a href="https://atlante.univ-lille.fr/data/images/atlante-13/5.-judite_rodrigues-decembre-2020.pdf">Télécharger l'article complet (pdf, 3 Mb)</a></p>Sat, 30 Jan 2021 15:05:00 +0100marianne.bloch-robin