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Atlante - Revue d'études romanes - Tag identidad https://atlante.univ-lille.fr/tag/identidad fr Sat, 25 Apr 2020 16:45:00 +0200 PluXml 07. Violencia, exilio, identidad y vigilancia en <em>Moronga</em> de Horacio Castellanos Moya https://atlante.univ-lille.fr/07-violencia-exilio-identidad-y-vigilancia-en-emmoronga-em-de-horacio-castellanos-moya.html https://atlante.univ-lille.fr/07-violencia-exilio-identidad-y-vigilancia-en-emmoronga-em-de-horacio-castellanos-moya.html <p>Claudia Paname&ntilde;o<br />Universit&eacute; de Lille<br />ULR 4074 &ndash;CECILLE<br />p.137-156.</p><p style="text-align: justify;"><strong>Claudia Paname&ntilde;o</strong><strong>, &ldquo;</strong><strong>Violencia, exilio, identidad y vigilancia en <em>Moronga</em> de Horacio Castellanos Moya&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Resumen: </strong>El escritor Horacio Castellanos Moya retrata a trav&eacute;s de su literatura la cruenta realidad de violencia que ha empujado a cientos de miles de centroamericanos a abandonar sus pa&iacute;ses. <em>Moronga</em> (2018) es la decimosegunda novela de este autor, en la que nos presenta a un salvadore&ntilde;o asocial que despu&eacute;s de varios a&ntilde;os en Estados Unidos, pa&iacute;s al que huy&oacute; tras de la guerra, coincide con otros centroamericanos que tambi&eacute;n se han afincado all&iacute; por razones ligadas a la violencia. En esta novela polif&oacute;nica narrada en tres partes, veremos c&oacute;mo la vida de estos personajes se ve ensombrecida por el fantasma del recuerdo de los atropellos que los expatriaron. Abordaremos las reacciones de estos sujetos frente a esa violencia, las cuales van desde la elusi&oacute;n de la memoria a la transformaci&oacute;n de sus identidades y formas de vida.</p> <p style="text-align: justify;"><strong>Palabras clave: </strong>violencia, identidad, exilio, Horacio Castellanos Moya.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong><strong>Claudia Paname&ntilde;o</strong><strong>,</strong>&laquo;&nbsp;Violence, exil, identit&eacute; et surveillance dans <em>Moronga</em> de Horacio Castellanos Moya&nbsp;&raquo;. </strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;&nbsp;: </strong>L&rsquo;&eacute;crivain Horacio Castellanos Moya d&eacute;peint dans son douzi&egrave;me roman, <em>Moronga</em> (2018), la r&eacute;alit&eacute; sanglante et cruelle qui a pouss&eacute; des centaines de milliers de Centram&eacute;ricains &agrave; quitter leur pays. Il y portraiture, entre autres, un Salvadorien asocial qui, apr&egrave;s plusieurs ann&eacute;es aux &Eacute;tats-Unis (o&ugrave; il s&rsquo;exile apr&egrave;s la guerre civile), fait la connaissance d&rsquo;autres Centram&eacute;ricains qui, comme lui, s&rsquo;y sont install&eacute;s pour fuir la violence. Dans ce roman polyphonique compos&eacute; de trois parties, nous verrons comment la vie des personnages principaux est assombrie par le spectre d&rsquo;une m&eacute;moire inscrite dans la brutalit&eacute; humaine qui les a forc&eacute;s &agrave; l&rsquo;exil. Nous examinerons leurs r&eacute;actions face &agrave; l&rsquo;omnipr&eacute;sence de cette violence dans leur esprit et leur corps, depuis leurs tentatives d&rsquo;&eacute;vitement de cette m&eacute;moire jusqu&rsquo;aux transformations qu&rsquo;implique cette derni&egrave;re sur leur(s) identit&eacute;(s)s et leur(s) mode(s) de vie.</p> <p style="text-align: justify;"><strong>Mots-cl&eacute;s&nbsp;: </strong>violence, identit&eacute;, exil, Horacio Castellanos Moya.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong><strong>Claudia Paname&ntilde;o</strong><strong>,</strong>&ldquo;</strong><strong>Violence, exile, identity and surveillance in <em>Moronga</em> by Horacio Castellanos Moya</strong><strong>&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Abstract: </strong>The writer Horacio Castellanos Moya depicts in his twelfth novel, <em>Moronga</em> (2018), the bloody and cruel reality that drove hundreds of thousands of Central Americans to leave their country. He portrays, among others, an asocial Salvadoran who, after several years in the United States (where he went into exile after the civil war), meets other Central Americans who, like him, settled there to flee the violence. In this polyphonic novel composed of three parts, we will see how the lives of the main characters are overshadowed by the spectre of a memory inscribed in the human brutality that forced them into exile. We will examine their reactions to the omnipresence of this violence in their minds and bodies, from their attempts to avoid this memory to the transformations it implies for their identity(s) and way(s) of life.</p> <p style="text-align: justify;"><strong>Keywords: </strong>violence, identity, exile, Horacio Castellanos Moya.</p> <p style="text-align: justify;"><a href="https://atlante.univ-lille.fr/data/images/atlante-11/137-156-07.-panameno-viloencia-exilio-identidad-y-memoria.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 210 Kb)</a></p> Sat, 25 Apr 2020 16:45:00 +0200 marianne.bloch-robin