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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag imitation
https://atlante.univ-lille.fr/tag/imitation
frThu, 16 May 2019 09:39:00 +0200PluXml10. Catabase et esthétique des passions dans <em>La Mort de Rodomont et sa descente aux Enfers</em> de Philippe Desportes
https://atlante.univ-lille.fr/10-catabase-et-esthetique-des-passions-dans-emla-mort-de-rodomont-et-sa-descente-aux-enfers-em-de-philippe-desportes.html
https://atlante.univ-lille.fr/10-catabase-et-esthetique-des-passions-dans-emla-mort-de-rodomont-et-sa-descente-aux-enfers-em-de-philippe-desportes.html<p>Marion Bracq<br />Université de Lille<br />ALITHILA, EA 1061<br />p. 179-193.</p><p> </p>
<p><strong>Marion BRACQ, « Catabase et esthétique des passions dans <em>La Mort de Rodomont et sa descente aux Enfers</em> de Philippe Desportes ».</strong> </p>
<p align="JUSTIFY"><strong>Résumé.</strong> Rodomont est connu pour son orgueil et sa fureur au combat. Matteo Maria Boiardo (<em>Orlando innamorato</em>) puis, à sa suite, Ludovico Ariosto (<em>Orlando furioso</em>) mettent en scène ce personnage dans toute sa démesure. Cependant, c'est dans un épisode catabasique de la <em>Marphisa</em> de l'Arétin que Rodomont fait une des démonstrations les plus singulières de la violence de ses passions. En 1572, en pleine vogue des imitations italiennes en France, Philippe Desportes va reprendre cet épisode infernal dans <em>La Mort de Rodomont et sa descente aux Enfers</em>, publié dans le recueil collectif <em>Imitation de quelques chants de l’Arioste par divers poètes françois</em> chez Lucas Breyer. Entre inspiration épique et veine lyrique, Philippe Desportes esquisse un renouvellement de la poétique des passions. Tout en demeurant fidèle aux représentations classiques de Rodomont, le poète français réinterroge l'écriture des affects et construit une représentation plus sensible et complexe du personnage.</p>
<p align="JUSTIFY"><strong>Mots-clé. </strong>Philippe Desportes, Arétin, Arioste, Renaissance, Imitation, Littérature épique, Catabase, Passions, Rodomont.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong>Marion BRACQ, « Catabasis and esthetic of passions in <em>La mort de Rodomont et sa descente aux Enfers</em> by Philippe Desportes ».</strong></p>
<p align="JUSTIFY"><strong><span lang="en-US">Abstract. </span></strong><span lang="en-US">Rodomont is known as a proud and furious warrior. Matteo Maria Boiardo (</span><em><span lang="en-US">Orlando innamorato</span></em><span lang="en-US">) and, then in his wake, Ludovico Ariosto (</span><em><span lang="en-US">Orlando furioso</span></em><span lang="en-US">) present this character with all his excesses. However, in Pietro Aretino's </span><em><span lang="en-US">Marphisa</span></em><span lang="en-US">, Rodomont reveals his violence and passion during a catabasic episode. Given the popularity of Italian literature during the French Renaissance, Lucas Breyer published in the collective anthology: </span><span lang="en-US"><em>Imitation de quelques chants</em> <em>de l’Arioste par divers poètes françois</em></span><span lang="en-US"> (1572) an imitation written by Philippe Desportes based on an episode underworld: </span><em><span lang="en-US">La mort de Rodomont et sa descente aux Enfers</span></em><span lang="en-US">. Through epic inspiration but also in a lyrical vein, Philippe Desportes renews the poetics of passion. While he remains faithful to Rodomont's classical representations, Desportes studies closely how to write about affects and builds a more sensitive and complex representation of the character.</span></p>
<p align="JUSTIFY"><strong>Keywords.</strong> Philippe Desportes, Arétin, Arioste, French Renaissance, Imitation, Catabasis, Passions, Rodomont, Epic literature.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong>Marion BRACQ, « La catabasi e l'estetica delle passioni in <em>La mort de Rodomont et sa descente aux Enfers</em> di Philippe Desportes ».</strong></p>
<p align="JUSTIFY"><strong>Sintesi. </strong>Rodomonte è conosciuto per il suo orgoglio e il suo furore nella lotta. E se Matteo Maria Boiardo (<em>Orlando innamorato</em>) e in seguito Ludovico Ariosto (<em>Orlando furioso</em>) mettono in scena il comportamento eccessivo del personaggio, sarà Pietro Aretino nell’episodio catabasico della Marphisa a dipingere la violenza estrema delle sue passioni. Durante il Rinascimento francese, con il successo delle imitazioni italiane, Philipe Desportes si ispira a questo episodio infernale nel suo <em>La mort de Rodomont et sa descente aux Enfers</em> publicato da Lucas Breyer nella raccolta collettiva <em>Imitation de quelques chants de l’Arioste par divers poètes françois</em> (1572). Tra ispirazione epica e vena lirica, Philippe Desportes rinnova la poetica delle passioni. Rimanendo fedele alla figura classica di Rodomonte, il poeta francese interroga di nuovo la scrittura degli affetti e costruisce una rappresentazione più complessa e più sensibile delle passioni.</p>
<p align="JUSTIFY"><strong>Parole chiavi.</strong> Philipe Desportes, Pietro Aretino, Ludovico Ariosto, Rinascimento, Imitazioni, Catabasi, Passioni, Rodomonte, Letteratura epica.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_11.pdf">Télécharger l'article complet (pdf, 185 Kb)</a></strong></p>Thu, 16 May 2019 09:39:00 +0200daniel.ramirezmahecha04. «Enthousiasme, fureur poétique et puissance imaginative chez le jésuite Jacob Balde (1604-1668) »
https://atlante.univ-lille.fr/04-enthousiasme-fureur-poetique-et-puissance-imaginative-chez-le-jesuite-jacob-balde-1604-1668.html
https://atlante.univ-lille.fr/04-enthousiasme-fureur-poetique-et-puissance-imaginative-chez-le-jesuite-jacob-balde-1604-1668.html<p>Aline Smeesters<br />Université catholique de Louvain<br />Fonds National belge de la Recherche Scientifique<br />p. 69-88.</p><p> </p>
<p><strong>Aline SMEESTERS, « Enthousiasme, fureur poétique, et puissance imaginative chez le jésuite Jacob Balde ».</strong></p>
<p align="JUSTIFY"><strong>Résumé.</strong> Le jésuite Jacob Balde (XVIIe siècle) a composé une série de poèmes néo-latins intitulés « enthousiasmes », dans lesquels le poète se présente comme entraîné dans une suite de visions qui le font voyager dans le temps et dans l’espace. Le présent article tente de cerner la conception de l’inspiration poétique sous-jacente à ces textes et de replacer celle-ci dans l’histoire de la postérité de la notion antique de <em>furor poeticus</em>, à laquelle la première modernité a apporté des inflexions originales et remarquables.</p>
<p align="JUSTIFY"><strong>Mots-clé.</strong> Jakob Balde, Poésie néo-latine, Imitation, Spiritualité chrétienne, Visions, Furor poeticus, Inspiration, Rnargeia.</p>
<p align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong><span lang="en-US">Aline SMEESTERS, « Enthousiasm, ‘furor poeticus’, and imaginative power in Jesuit Jacob Balde’s work ».</span></strong></p>
<p align="JUSTIFY"><span lang="en-US"><strong>Abstract.</strong> </span><span lang="en-US">The Jesuit author Jacob Balde (XVIIth century) composed several Neo-Latin poems entitled “enthousiasms”, in which the poet represents himself as being ravished by a series of visions that make him travel through space and time. This article tries to grasp the conception of poetical inspiration underlying those texts, and to situate it in the posterity of the Ancient notion of </span><em><span lang="en-US">furor poeticus</span></em><span lang="en-US">, to which the early modern period has brought original and notable inflections.</span></p>
<p align="JUSTIFY"><span lang="en-US"><strong>Keywords.</strong> </span><span lang="en-US">Jakob Balde, Neo-latin poetry, Imitation, Christian spirituality, Visions, Furor poeticus, Inspiration, Enargeia.</span></p>
<p lang="en-US" align="JUSTIFY"> </p>
<p align="JUSTIFY"><strong><span lang="en-US">Aline SMEESTERS, « Entusiasmo, furore poetico, e potere dell’immaginazione nel gesuita Jacob Balde ».</span></strong></p>
<p align="JUSTIFY"><strong>Sintesi.</strong> Il gesuita Jacob Balde (XVII° secolo) ha scritto una serie di poesie neolatine intitolate « entusiasmi », nelle quali il poeta si presenta comme colpito da una serie di visioni che lo fanno viaggiare nel tempo e nello spazio. Questo articolo cerca di cogliere la concezione dell’ispirazione poetica alla base di questi testi e di situarla nella storia dell’evoluzione della nozione antica di <em>furor poeticus</em> che ha subito modifiche profonde e originali nella prima modernità.</p>
<p align="JUSTIFY"><strong>Parole chiavi.</strong> Jakob Balde, Poesie neolatine, Imitazione, Spiritualità cristiana, Visioni, Furor poeticus, Ispirazione, enargeia.</p>
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<p align="JUSTIFY"><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_5.pdf">Télécharger l'article complet (pdf, 241 Kb)</a></strong></p>Wed, 15 May 2019 18:15:00 +0200daniel.ramirezmahecha