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Atlante - Revue d'études romanes - Tag islam https://atlante.univ-lille.fr/tag/islam fr Thu, 16 May 2019 10:54:00 +0200 PluXml 13. Un musulman qui pleure est un musulman sincère. Étude des manifestations lacrymales de la sincérité dans le corpus hispano-mauresque arabe, espagnol et français https://atlante.univ-lille.fr/13-un-musulman-qui-pleure-est-un-musulman-sincere-etude-des-manifestations-lacrymales-de-la-sincerite-dans-le-corpus-hispano-mauresque-arabe-espagnol-et-francais.html https://atlante.univ-lille.fr/13-un-musulman-qui-pleure-est-un-musulman-sincere-etude-des-manifestations-lacrymales-de-la-sincerite-dans-le-corpus-hispano-mauresque-arabe-espagnol-et-francais.html <p>Emilie Picherot<br />Universit&eacute; de Lille<br />ALITHILA, EA 1061<br />p. 232-254.<em></em></p><p>&nbsp;</p> <p><strong>&Eacute;milie PICHEROT,&nbsp;&laquo;&nbsp;Un musulman qui pleure est un musulman sinc&egrave;re&nbsp;: &eacute;tude des manifestations lacrymales de la sinc&eacute;rit&eacute; dans le corpus hispano-mauresque arabe, espagnol et fran&ccedil;ais&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong>R&eacute;sum&eacute;.</strong> Le Maure de Grenade est souvent repr&eacute;sent&eacute; pleurant sur les ruines de sa grandeur pass&eacute;e. Si l&rsquo;on peut rattacher ce motif po&eacute;tique &agrave; une tradition chr&eacute;tienne, il est int&eacute;ressant de compl&eacute;ter cette r&eacute;f&eacute;rence par celle qui met en jeu la cr&eacute;ation po&eacute;tique arabe. Emanation du passage oblig&eacute; de la <em>qas&icirc;da</em> classique, ces pleurs constituent la manifestation d&rsquo;une humanit&eacute; sinc&egrave;re et &eacute;mouvante qui acquiert dans les corpus espagnols et fran&ccedil;ais une dimension politique peut-&ecirc;tre moins caricaturale qu&rsquo;il n&rsquo;y para&icirc;t.</p> <p align="JUSTIFY"><strong>Mots-cl&eacute;. </strong>Maure de Grenade, <em>Qas&icirc;da</em>,<em> Al-atlal</em>, Pleurs, Sinc&eacute;rit&eacute;, Conversion, Morisque, Repr&eacute;sentation, Islam, <em>Romances</em>.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong>Emilie PICHEROT. &laquo;&nbsp;Un musulm&aacute;n que llora es un musulm&aacute;n sincero&nbsp;: un estudio de las manifestaciones lacrimales de la sinceridad en el corpus hispano, &aacute;rabe, espa&ntilde;ol y franc&eacute;s&nbsp;&raquo;.</strong></p> <p align="JUSTIFY">Resumen&nbsp;: Los moros de Granada a menudo se ven representados llorando sobre las ruinas de su grandeza pasada. Si podemos relacionar este motivo po&eacute;tico con una tradici&oacute;n cristiana, es interesante completar esta referencia con la creaci&oacute;n po&eacute;tica &aacute;rabe. Emanaci&oacute;n del pasaje obligatorio de la <em>qas&icirc;da</em> cl&aacute;sica, estas l&aacute;grimas constituyen la manifestaci&oacute;n de una humanidad sincera y conmovedora que adquiere en los corpus espa&ntilde;ol y franc&eacute;s una dimensi&oacute;n pol&iacute;tica quiz&aacute;s menos caricatural de lo que parece.</p> <p align="JUSTIFY"><strong><span lang="en-US">Palabras clave. </span></strong><span lang="en-US">Moro, Granada, <em>Q</em></span><span lang="en-US"><em>as&icirc;da</em>, <em>Al-atlal</em></span><span lang="en-US">, Lloro, Sinceridad, Conversi&oacute;n, Morisco, Representaci&oacute;n, Islam, <em>Romances</em>.</span></p> <p lang="en-US" align="JUSTIFY">&nbsp;</p> <p lang="en-US" align="JUSTIFY"><strong>Emilie PICHEROT, &laquo;&nbsp;A crying muslim is a sincere muslim&nbsp;: study about tears manifestations of sincerity in the hispanic-moorish arabic corpus, in spanish and french&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong><span lang="en-US">Abstract. </span></strong><span lang="en-US">The </span><span lang="en-US">Moro </span><span lang="en-US">of Granada is often depicted crying over the ruins of his past greatness. If we can relate this poetic motif to a Christian tradition, it is interesting to complete this reference in relation to Arabic poetic creation. Emanation of the obligatory passage of the classical </span><em><span lang="en-US">qas&icirc;da</span></em><span lang="en-US">, these tears constitute the manifestation of a sincere and moving humanity which acquires in the Spanish and French corpus a political dimension perhaps less stereotypical than it appears to be.</span></p> <p align="JUSTIFY"><strong><span lang="en-US">Keywords. </span></strong><span lang="en-US">Moro</span><span lang="en-US">, Granada, <em>Q</em></span><em><span lang="en-US">as&icirc;da, Al-atlal</span></em><span lang="en-US"><em>,</em> Sincerity, Conversion, M</span><span lang="en-US">orisco</span><span lang="en-US">, Representation, Islam, <em>R</em></span><span lang="en-US"><em>omances</em>.<br /></span></p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong><span lang="en-US"><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_14.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 484 Kb)</a></span></strong></p> <p>&nbsp;</p> Thu, 16 May 2019 10:54:00 +0200 daniel.ramirezmahecha