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Atlante - Revue d'études romanes - Tag jacques-leonard https://atlante.univ-lille.fr/tag/jacques-leonard fr Thu, 21 Jun 2018 14:15:00 +0200 PluXml 20. Un bidonville sur la plage Regards sur le Somorrostro dans la Barcelone des années 1960 https://atlante.univ-lille.fr/20-un-bidonville-sur-la-plage-regards-sur-le-somorrostro-dans-la-barcelone-des-anne-es-1960.html https://atlante.univ-lille.fr/20-un-bidonville-sur-la-plage-regards-sur-le-somorrostro-dans-la-barcelone-des-anne-es-1960.html <div class="page" title="Page 1"> <div class="layoutArea"> <div class="column"> <p>Jacques Terrasa<br /> Sorbonne Universit&eacute;&nbsp;<br />CRIMIC EA 2561&nbsp;<br />p. 388-407. &nbsp;</p> </div> </div> </div><p>&nbsp;</p> <p><strong>Jacques TERRASA, &laquo;&nbsp;Un bidonville sur la plage&nbsp;: regards sur le Somorrostro dans la Barcelone des ann&eacute;es 1960&nbsp;&raquo;.</strong></p> <p><strong>R&eacute;sum&eacute;.</strong> Le Somorrostro, quartier de <em>barracas</em> (comme on d&eacute;signe ces cabanes &agrave; Barcelone), s&rsquo;est form&eacute; sur la plage, au del&agrave; du quartier de la Barceloneta, &agrave; partir du dernier tiers du XIX<sup>e</sup> si&egrave;cle. Il fut d&eacute;truit en 1966 pour permettre le prolongement de la promenade maritime et la c&eacute;l&eacute;bration de man&oelig;uvres navales pr&eacute;sid&eacute;es par Franco. Plus de 10.000 personnes &ndash;&nbsp;ouvriers et p&ecirc;cheurs&nbsp;&ndash;&nbsp;y vivaient dans les ann&eacute;es cinquante. Le Somorrostro, li&eacute; &agrave; la forte &eacute;migration de travailleurs pauvres vers une ville en mutation, a &eacute;t&eacute; le lieu de naissance de la grande danseuse de flamenco Carmen Amaya, qui y est revenue pour jouer en 1963 dans le film de Rovira Beleta, <em>Los Tarantos</em>. Ce quartier sera film&eacute; par le documentariste Lloren&ccedil; Ferrer peu avant sa destruction. Mais ce sont surtout les photographies de Jacques L&eacute;onard et de Joan Colom qui sont au c&oelig;ur de cette r&eacute;flexion sur la dure r&eacute;alit&eacute; du bidonville sur la plage.</p> <p><strong>Mots-cl&eacute;s.&nbsp;</strong>Bidonville, Barcelone, Somorrostro, Joan Colom, Jacques L&eacute;onard, <em>Los Tarantos</em>, Lloren&ccedil; Ferrer.</p> <p>&nbsp;</p> <p><strong>Jacques TERRASA, &ldquo;Una chabola en la playa: miradas sobre el Somorrostro en la Barcelona de los a&ntilde;os 1960&rdquo;.</strong></p> <p><strong>Resumen</strong>. El Somorrostro, barrio de <em>barracas</em> (como se designan las chabolas en Barcelona), se form&oacute; en la playa, m&aacute;s all&aacute; de la Barceloneta, a partir del &uacute;ltimo tercio del siglo XIX. Fue destruido en 1966 para permitir la construcci&oacute;n del paseo mar&iacute;timo y la celebraci&oacute;n de unas maniobras navales presididas por Franco. M&aacute;s de 10.000 personas &ndash; obreros y pescadores &ndash; viv&iacute;an all&iacute; en los a&ntilde;os cincuenta. El Somorrostro, vinculado a una fuerte emigraci&oacute;n de trabajadores pobres hacia una ciudad en mutaci&oacute;n, fue el lugar de nacimiento de la gran bailadora de flamenco Carmen Amaya, quien volvi&oacute; all&iacute; para actuar en 1963 en la pel&iacute;cula de Rovira Beleta, <em>Los Tarantos</em>. Tambi&eacute;n el documentalista Lloren&ccedil; Ferrer lo film&oacute; poco antes de su destrucci&oacute;n. Pero son las fotograf&iacute;as de Jacques L&eacute;onard y de Joan Colom las que est&aacute;n en el coraz&oacute;n de estas reflexiones sobre la dura realidad del barrio de chabolas en la playa.</p> <p><strong>Palabras clave.</strong>&nbsp;Chabolas, Barcelona, Somorrostro, Joan Colom, Jacques L&eacute;onard, <em>Los Tarantos</em>, Lloren&ccedil; Ferrer.</p> <p>&nbsp;</p> <p><strong>Jacques TERRASA, &ldquo;A Shanty Settlement on the Beach: Perspectives on Barcelona&rsquo;s Somorrostro in the 1960s&rdquo;.</strong></p> <p><strong>Abstract.</strong>The Somorrostro district of <em>barracas</em> (as the slums are called in Barcelona) was formed on the beach beyond the district of Barceloneta during the last third of the 19th century. It was destroyed in 1966 to allow the continuation of the maritime walk and the celebration of naval maneuvers chaired by Franco. More than 10.000 people &ndash; workers and fishermen &ndash; lived there in the 1950s. The Somorrostro, connected to a strong emigration of working poor people towards a city in transformation, was the place of birth of the famous flamenco&rsquo;s dancer Carmen Amaya. She went back to the Sommorrostro in 1963 to perform in Rovira Beleta&rsquo;s film <em>Los Tarantos</em>. The documentary maker Lloren&ccedil; Ferrer also filmed the district shortly before its destruction. Those images, and especially the photographs of Jacques L&eacute;onard and Joan Colom, are at the center of this article&rsquo;s reflection on the harsh reality of the Somorrostro.</p> <p><strong>Keywords.&nbsp;</strong>Shanty town, Barcelona, Somorrostro, Joan Colom, Jacques L&eacute;onard, <em>Los Tarantos</em>, Lloren&ccedil; Ferrer.</p> <p>&nbsp;</p> <p><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_7_20.pdf" target="_blank"><strong>T&eacute;l&eacute;charger l'article complet (pdf, 304 Kb)</strong></a></p> Thu, 21 Jun 2018 14:15:00 +0200 marianne.bloch-robin