Atlante - Revue d'études romanes - Tag literatura-mexicana

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	<title>Atlante - Revue d&#039;études romanes - Tag literatura-mexicana</title>
	<link>https://atlante.univ-lille.fr/tag/literatura-mexicana</link>
	<language>fr</language>
	<description></description>
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		<title>14.El Subcomandante Marcos, Paco Ignacio Taibo II y Juan Pablo Villalobos. Humor, estado y nación en México.</title> 
		<link>https://atlante.univ-lille.fr/14-el-subcomandante-marcos-paco-ignacio-taibo-ii-y-juan-pablo-villalobos-humor-estado-y-nacion-en-mexico.html</link>
		<guid>https://atlante.univ-lille.fr/14-el-subcomandante-marcos-paco-ignacio-taibo-ii-y-juan-pablo-villalobos-humor-estado-y-nacion-en-mexico.html</guid>
		<description>&lt;p&gt;Kristine Vanden Berghe&lt;br /&gt;Universit&amp;eacute; de Li&amp;egrave;ge&lt;br /&gt;p.274-293.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Kristine VANDEN BERGHE, &quot;El Subcomandante Marcos, Paco Ignacio Taibo II y Juan Pablo Villalobos. Humor, estado y naci&amp;oacute;n en M&amp;eacute;xico&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen. &lt;/strong&gt;Se analizan las distintas formas del humor en los comunicados del Subcomandante Marcos (1994-) y en la novela breve &lt;em&gt;Desvanecidos difuntos&lt;/em&gt; (1991), que su amigo Paco Ignacio Taibo II publicara unos a&amp;ntilde;os antes de la rebeli&amp;oacute;n zapatista. Ambos recurren al humor absurdo e ir&amp;oacute;nico as&amp;iacute; como a la broma ligera para criticar al Estado mexicano y se&amp;ntilde;alar su responsabilidad en la violencia de las &amp;uacute;ltimas d&amp;eacute;cadas. En cambio, en su cuarta novela &lt;em&gt;No voy a pedirle a nadie que me crea&lt;/em&gt; (2016), otro escritor mexicano, Juan Pablo Villalobos, dirige sus dardos humor&amp;iacute;sticos no solo contra las instituciones oficiales sino tambi&amp;eacute;n contra personajes asentados en la sociedad com&amp;uacute;n, de manera que se&amp;ntilde;ala la corresponsabilidad de la naci&amp;oacute;n en la triste coyuntura presente.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave: &lt;/strong&gt;Literatura mexicana, iron&amp;iacute;a, cr&amp;iacute;tica pol&amp;iacute;tica.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Kristine VANDEN BERGHE, &quot;Sub-commander Marcos, Paco Ignacio Taibo II and Juan Pablo Villalobos. Humour, State and Nation in Mexico&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract. &lt;/strong&gt;We analyze the various forms of humor in the political communiqu&amp;eacute;s written by Subcommander Marcos&#039; (1994-) and in the brief novel &lt;em&gt;Desvanecidos difuntos&lt;/em&gt; (1991), which his friend Paco Ignacio Taibo II published a few years before the Zapatista uprising. The two writers resort to absurd and ironic humor as well as a light form of joking to criticize the Mexican state and point out its responsibility for the violence that has devastated the country for decades. On the other hand, another Mexican writer, Juan Pablo Villalobos, in his novel &lt;em&gt;No voy a pedirle a nadie que me crea&lt;/em&gt; (2016) directs his humorous arrows not only against the official institutions that represent the State but also against characters who embody Civil Society. In this way he points out the co-responsibility of the latter in the sad conjuncture of the present.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords: &lt;/strong&gt;Mexican literature, irony, political criticism.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Kristine VANDEN BERGHE, &lt;/strong&gt;&lt;strong&gt;&quot;Le Sous-commandant Marcos, Paco Ignacio Taibo II et Juan Pablo Villalobos. Humour, &amp;Eacute;tat et nation au Mexique&quot;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&lt;/strong&gt;Nous analysons les diff&amp;eacute;rentes formes de l&amp;rsquo;humour dans les communiqu&amp;eacute;s du Sous-commandant Marcos (1994-) et dans le roman bref &lt;em&gt;Desvanecidos difuntos&lt;/em&gt; (1991) que son ami Paco Ignacio Taibo II publia quelques ann&amp;eacute;es avant l&amp;rsquo;insurrection des zapatistes. Les deux &amp;eacute;crivains recourent &amp;agrave; l&amp;rsquo;humour absurde et ironique ainsi qu&amp;rsquo;&amp;agrave; la blague l&amp;eacute;g&amp;egrave;re afin de critiquer l&amp;rsquo;Etat mexicain et pointer du doigt sa responsabilit&amp;eacute; dans la violence qui d&amp;eacute;vaste le pays depuis des d&amp;eacute;cennies. En revanche, un autre &amp;eacute;crivain mexicain, Juan Pablo Villalobos, dans son roman &lt;em&gt;No voy a pedirle a nadie que me crea&lt;/em&gt; (2016) ne dirige pas uniquement ses fl&amp;egrave;ches humoristiques contre les institutions officielles qui repr&amp;eacute;sentent l&amp;rsquo;Etat mais aussi contre des personnages qui incarnent la soci&amp;eacute;t&amp;eacute; civile. De cette mani&amp;egrave;re il signale la coresponsabilit&amp;eacute; de celle-ci dans la triste conjoncture du pr&amp;eacute;sent.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s: &lt;/strong&gt;Litt&amp;eacute;rature mexicaine, ironie, critique politique&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/atlante-13/14.-kristine-vanden-berghe-revu-decembre-2020-.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet ( 327 Kb)&lt;/a&gt;&lt;/p&gt;</description>
		<pubDate>Sat, 13 Feb 2021 18:50:00 +0100</pubDate>
		<dc:creator>marianne.bloch-robin</dc:creator>
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	<item>
		<title>04. &lt;em&gt;Ayotzinapa&lt;/em&gt;, de Tryno Maldonado: entre realidad y ficción</title> 
		<link>https://atlante.univ-lille.fr/04-emayotzinapa-em-de-tryno-maldonado-entre-realidad-y-ficcion.html</link>
		<guid>https://atlante.univ-lille.fr/04-emayotzinapa-em-de-tryno-maldonado-entre-realidad-y-ficcion.html</guid>
		<description>&lt;p&gt;Irene Fenoglio Lim&amp;oacute;n&lt;br /&gt;Universidad Aut&amp;oacute;noma del Estado de Morelos/M&amp;eacute;xico&lt;br /&gt;p.66-79.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Irene Fenoglio Lim&amp;oacute;n, &amp;ldquo;&lt;em&gt;Ayotzinapa&lt;/em&gt;, de Tryno Maldonado: entre realidad y ficci&amp;oacute;n&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen: &lt;/strong&gt;Entre el 26 y el 27 de septiembre de 2014, cerca de un centenar de alumnos de la Escuela Normal Rural de Ayotzinapa, Guerrero, fueron brutalmente atacados en lo que se conoce como &amp;ldquo;la noche de Iguala&amp;rdquo;. Algunos murieron, otros fueron heridos y 43 m&amp;aacute;s secuestrados por las fuerzas del Estado y sicarios al servicio del poder. De cara a la falaz &amp;ldquo;verdad hist&amp;oacute;rica&amp;rdquo; sostenida por el Estado mexicano, &lt;em&gt;Ayotzinapa. El rostro de los desaparecidos&lt;/em&gt; (2016), del novelista Tryno Maldonado, es una obra basada en la recopilaci&amp;oacute;n de testimonios de testigos, sobrevivientes y familiares que reconstruye, a partir de distintos focos narrativos, la historia de lo ocurrido. Este art&amp;iacute;culo analiza la manera en que el libro pone en juego a la vez la ficci&amp;oacute;n y el testimonio para dar cuenta de este acontecimiento. El uso de estas estrategias (referenciales y po&amp;eacute;ticas) conmueve al lector y fomenta su empat&amp;iacute;a para ayudar a producir comunidades emocionales que vuelven al texto pol&amp;iacute;tico a partir de lo afectivo.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave:&lt;/strong&gt; Ayotzinapa, comunidades emocionales, violencia, literatura mexicana, testimonio.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&lt;strong&gt;Irene Fenoglio Lim&amp;oacute;n&lt;/strong&gt;,&amp;laquo;&amp;nbsp;&lt;em&gt;Ayotzinapa&lt;/em&gt; de Tryno Maldonado : entre r&amp;eacute;alit&amp;eacute; et fiction&amp;nbsp;&amp;raquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute; : &lt;/strong&gt;Entre le 26 et le 27 septembre 2014, une centaine d&amp;rsquo;&amp;eacute;l&amp;egrave;ves de l&amp;rsquo;&amp;Eacute;cole Rurale Normale d&amp;rsquo;Ayotzinapa, dans l&amp;rsquo;&amp;Eacute;tat de Guerrero, ont &amp;eacute;t&amp;eacute; brutalement agress&amp;eacute;s&amp;nbsp;; ce tragique &amp;eacute;v&amp;eacute;nement est d&amp;eacute;sormais connu sous le nom de &amp;laquo;&amp;nbsp;la nuit d&amp;rsquo;Iguala&amp;nbsp;&amp;raquo;. Certains sont morts, d&amp;rsquo;autres ont &amp;eacute;t&amp;eacute; bless&amp;eacute;s et 43 d&amp;rsquo;entre eux ont &amp;eacute;t&amp;eacute; enlev&amp;eacute;s (sans jamais avoir &amp;eacute;t&amp;eacute; retrouv&amp;eacute;s) par les forces de l&amp;rsquo;ordre et des tueurs &amp;agrave; gages au service du pouvoir. Face &amp;agrave; une &amp;laquo;&amp;nbsp;v&amp;eacute;rit&amp;eacute; historique&amp;nbsp;&amp;raquo; fallacieuse d&amp;eacute;fendue par le Gouvernement mexicain, le livre &lt;em&gt;Ayotzinapa. El rostro de los desaparecidos&lt;/em&gt; (2016) de l&amp;rsquo;&amp;eacute;crivain Tryno Maldonado, a recueilli des paroles de t&amp;eacute;moins, de survivants et de proches de victimes. C&amp;rsquo;est &amp;agrave; partir de la pluralit&amp;eacute; de ces points de vue que Maldonado a reconstruit l&amp;rsquo;histoire de cette nuit criminelle. Cet article sonde comment &lt;em&gt;Ayotzinapa. El rostro de los desaparecidos&lt;/em&gt; met en jeu fiction et t&amp;eacute;moignage afin de rendre compte de ce drame collectif. En effet, le recours &amp;agrave; des strat&amp;eacute;gies r&amp;eacute;f&amp;eacute;rentielles et po&amp;eacute;tiques a pour effet d&amp;rsquo;&amp;eacute;mouvoir le lecteur et d&amp;rsquo;encourager son empathie pour produire des communaut&amp;eacute;s &amp;eacute;motionnelles qui r&amp;eacute;investissent le texte politique au moyen de l&amp;rsquo;affect.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s : &lt;/strong&gt;Ayotzinapa, communaut&amp;eacute;s &amp;eacute;motionnelles, violence, litt&amp;eacute;rature, t&amp;eacute;moignage.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&lt;strong&gt;Irene Fenoglio Lim&amp;oacute;n&lt;/strong&gt;,&amp;ldquo;&lt;em&gt;Ayotzinapa&lt;/em&gt; by Tryno Maldonado: between reality and fiction&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract&lt;/strong&gt;: Between September 26 and 27, 2014, about a hundred students from the Escuela Normal Rural de Ayotzinapa, in the Mexican state of Guerrero, were brutally attacked in what is known as &amp;ldquo;the night of Iguala&amp;rdquo;. Some died, others were injured and 43 more kidnapped by state forces and hit men in the service of the Government. Facing the fallacious &amp;ldquo;historical truth&amp;rdquo; held by the Mexican Government, &lt;em&gt;Ayotzinapa. El rostro de los desaparecidos&lt;/em&gt; (2016), by novelist Tryno Maldonado, is a work based on the collection of testimonies of witnesses, survivors and family members that reconstructs, from different narrative perspectives, the history of what happened. This article analyzes the way in which the book brings into play both fiction and testimony to account for this event. The use of these strategies (referential and poetic) moves the reader and encourages empathy in order to produce emotional communities that make the text political on the basis of the affective.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords&lt;/strong&gt;: Ayotzinapa, emotional communities, violence, literature, testimony.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/atlante-11/66-78-04.-fenoglio-limon-_-ayotzinapa-maldonado-phg.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 181 Kb)&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&amp;nbsp;&lt;/p&gt;</description>
		<pubDate>Sat, 25 Apr 2020 16:17:00 +0200</pubDate>
		<dc:creator>marianne.bloch-robin</dc:creator>
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