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https://atlante.univ-lille.fr/tag/litterature-epique fr Thu, 16 May 2019 09:39:00 +0200 PluXml https://atlante.univ-lille.fr/10-catabase-et-esthetique-des-passions-dans-emla-mort-de-rodomont-et-sa-descente-aux-enfers-em-de-philippe-desportes.html https://atlante.univ-lille.fr/10-catabase-et-esthetique-des-passions-dans-emla-mort-de-rodomont-et-sa-descente-aux-enfers-em-de-philippe-desportes.html <p>Marion Bracq<br />Universit&eacute; de Lille<br />ALITHILA, EA 1061<br />p. 179-193.</p><p>&nbsp;</p> <p><strong>Marion BRACQ, &laquo;&nbsp;Catabase et esth&eacute;tique des passions&nbsp;dans&nbsp;<em>La Mort de Rodomont et sa descente aux Enfers</em> de Philippe Desportes&nbsp;&raquo;.</strong>&nbsp;</p> <p align="JUSTIFY"><strong>R&eacute;sum&eacute;.</strong> Rodomont est connu pour son orgueil et sa fureur au combat. Matteo Maria Boiardo (<em>Orlando innamorato</em>) puis, &agrave; sa suite, Ludovico Ariosto (<em>Orlando furioso</em>) mettent en sc&egrave;ne ce personnage dans toute sa d&eacute;mesure. Cependant, c'est dans un &eacute;pisode catabasique de la <em>Marphisa</em> de l'Ar&eacute;tin que Rodomont fait une des d&eacute;monstrations les plus singuli&egrave;res de la violence de ses passions. En 1572, en pleine vogue des imitations italiennes en France, Philippe Desportes va reprendre cet &eacute;pisode infernal dans <em>La Mort de Rodomont et sa descente aux Enfers</em>, publi&eacute; dans le recueil collectif <em>Imitation de quelques chants de l&rsquo;Arioste par divers po&egrave;tes fran&ccedil;ois</em> chez Lucas Breyer. Entre inspiration &eacute;pique et veine lyrique, Philippe Desportes esquisse un renouvellement de la po&eacute;tique des passions. Tout en demeurant fid&egrave;le aux repr&eacute;sentations classiques de Rodomont, le po&egrave;te fran&ccedil;ais r&eacute;interroge l'&eacute;criture des affects et construit une repr&eacute;sentation plus sensible et complexe du personnage.</p> <p align="JUSTIFY"><strong>Mots-cl&eacute;. </strong>Philippe Desportes, Ar&eacute;tin, Arioste, Renaissance, Imitation, Litt&eacute;rature &eacute;pique, Catabase, Passions, Rodomont.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong>Marion BRACQ, &laquo;&nbsp;Catabasis and esthetic of passions in <em>La mort de Rodomont et sa descente aux Enfers</em> by Philippe Desportes&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong><span lang="en-US">Abstract. </span></strong><span lang="en-US">Rodomont is known as a proud and furious warrior. Matteo Maria Boiardo (</span><em><span lang="en-US">Orlando innamorato</span></em><span lang="en-US">) and, then in his wake, Ludovico Ariosto (</span><em><span lang="en-US">Orlando furioso</span></em><span lang="en-US">) present this character with all his excesses. However, in Pietro Aretino's </span><em><span lang="en-US">Marphisa</span></em><span lang="en-US">, Rodomont reveals his violence and passion during a catabasic episode. Given the popularity of Italian literature during the French Renaissance, Lucas Breyer published in the collective anthology: </span><span lang="en-US"><em>Imitation de quelques chants</em> <em>de l&rsquo;Arioste par divers po&egrave;tes fran&ccedil;ois</em></span><span lang="en-US"> (1572) an imitation written by Philippe Desportes based on an episode underworld: </span><em><span lang="en-US">La mort de Rodomont et sa descente aux Enfers</span></em><span lang="en-US">. Through epic inspiration but also in a lyrical vein, Philippe Desportes renews the poetics of passion. While he remains faithful to Rodomont's classical representations, Desportes studies closely how to write about affects and builds a more sensitive and complex representation of the character.</span></p> <p align="JUSTIFY"><strong>Keywords.</strong> Philippe Desportes, Ar&eacute;tin, Arioste, French Renaissance, Imitation, Catabasis, Passions, Rodomont, Epic literature.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong>Marion BRACQ, &laquo;&nbsp;La catabasi e l'estetica delle passioni in <em>La mort de Rodomont et sa descente aux Enfers</em> di Philippe Desportes&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong>Sintesi. </strong>Rodomonte &egrave; conosciuto per il suo orgoglio e il suo furore nella lotta. E se Matteo Maria Boiardo (<em>Orlando innamorato</em>) e in seguito Ludovico Ariosto (<em>Orlando furioso</em>) mettono in scena il comportamento eccessivo del personaggio, sar&agrave; Pietro Aretino nell&rsquo;episodio catabasico della Marphisa a dipingere la violenza estrema delle sue passioni. Durante il Rinascimento francese, con il successo delle imitazioni italiane, Philipe Desportes si ispira a questo episodio infernale nel suo <em>La mort de Rodomont et sa descente aux Enfers</em> publicato da Lucas Breyer nella raccolta collettiva <em>Imitation de quelques chants de l&rsquo;Arioste par divers po&egrave;tes fran&ccedil;ois</em> (1572). Tra ispirazione epica e vena lirica, Philippe Desportes rinnova la poetica delle passioni. Rimanendo fedele alla figura classica di Rodomonte, il poeta francese interroga di nuovo la scrittura degli affetti e costruisce una rappresentazione pi&ugrave; complessa e pi&ugrave; sensibile delle passioni.</p> <p align="JUSTIFY"><strong>Parole chiavi.</strong>&nbsp;Philipe Desportes, Pietro Aretino, Ludovico Ariosto, Rinascimento, Imitazioni, Catabasi, Passioni, Rodomonte, Letteratura epica.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_11.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 185 Kb)</a></strong></p> Thu, 16 May 2019 09:39:00 +0200 daniel.ramirezmahecha