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Atlante - Revue d'études romanes - Tag medee https://atlante.univ-lille.fr/tag/medee fr Thu, 16 May 2019 09:21:00 +0200 PluXml 09. La juste colère. Autour de la <em>Médée</em> de Jean-Bastier de La Péruse https://atlante.univ-lille.fr/09-la-juste-colere-autour-de-la-emmedee-em-de-jean-bastier-de-la-peruse.html https://atlante.univ-lille.fr/09-la-juste-colere-autour-de-la-emmedee-em-de-jean-bastier-de-la-peruse.html <p>Alessandra Preda<br />Universit&eacute; de Milan<br />p. 163-178.</p><p>&nbsp;</p> <p><strong>Alessandra Preda, &laquo;&nbsp;La juste col&egrave;re&nbsp;: autour de la <em>M&eacute;d&eacute;e</em> de Jean-Bastier de La P&eacute;ruse&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong>R&eacute;sum&eacute;.</strong> L&rsquo;analyse de la trag&eacute;die de Jean de La P&eacute;ruse, <em>M&eacute;d&eacute;e</em>, d&eacute;veloppe une r&eacute;flexion autour de la col&egrave;re, une passion humaine violente et r&eacute;active qui repr&eacute;sente, parfois, une forme l&eacute;gitime d&rsquo;indignation. Cette indignation &lsquo;juste&rsquo; provoque l&rsquo;acte vindicatif n&eacute;cessaire, &agrave; travers un proc&egrave;s d&rsquo;autocontr&ocirc;le et d&rsquo;&eacute;laboration que cette <em>M&eacute;d&eacute;e</em> de la Renaissance illustre parfaitement. L&rsquo;analyse met en lumi&egrave;re l&rsquo;influence d&rsquo;une production humaniste - la trag&eacute;die n&eacute;olatine Medea de Buchanan, le commentaire de Muret &agrave; l&rsquo;<em>&Eacute;thique &agrave; Nicomaque</em>, les <em>Embl&egrave;mes</em> d&rsquo;Alciato &mdash; qui alimente la r&eacute;flexion de La P&eacute;ruse, &eacute;tudiant de droit, po&egrave;te et dramaturge, membre de la jeune Pl&eacute;iade.</p> <p align="JUSTIFY"><strong>Mots-cl&eacute;. </strong>Renaissance, Th&eacute;&acirc;tre, Trag&eacute;die, Col&egrave;re, M&eacute;d&eacute;e, Embl&egrave;me.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong>Alessandra Preda, &laquo;&nbsp;The righteous wrath&nbsp;: Jean-Bastier de La P&eacute;ruse's&nbsp;<em>M&eacute;d&eacute;e</em><em>&nbsp;</em>&raquo;.</strong></p> <p align="JUSTIFY"><strong><span lang="en-US">Abstract. </span></strong><span lang="en-US">In this article the author seeks to analyse wrath by the means of an examination of La P&eacute;ruse&rsquo;s tragedy, </span><em><span lang="en-US">M&eacute;d&eacute;e</span></em><span lang="en-US">. Wrath is a violent human and reactive expression which sometimes may represent a legitimate form of indignation. The righteous indignation causes the necessary vindictive act, in a process of self-control and elaboration that is perfectly illustrated by this Renaissance </span><em><span lang="en-US">Medea</span></em><span lang="en-US">. The analysis shows a humanist production &ndash; Buchanan&rsquo;s Neo-Latin tragedy, Muret&rsquo;s commentary of </span><em><span lang="en-US">Ethica Nicomachea</span></em><span lang="en-US">, Alciato&rsquo;s </span><em><span lang="en-US">Emblems</span></em><span lang="en-US"> &ndash;influencing La P&eacute;ruse&rsquo;s tragedy and his reflection on the passion of wrath.</span></p> <p align="JUSTIFY"><span lang="en-US"><strong>Keywords.</strong>&nbsp;</span><span lang="en-US">Renaissance, Theater, Tragedy, Wrath, Medea, Emblem.</span></p> <p lang="en-US" align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong>Alessandra Preda, &laquo;&nbsp;La giusta collera&nbsp;: a proposito della <em>M&eacute;d&eacute;e</em> di Jean-Bastier de La P&eacute;ruse&nbsp;&raquo;.</strong></p> <p align="JUSTIFY"><strong>Sintesi. </strong>L&rsquo;analisi della tragedia di Jean de la P&eacute;ruse, <em>M&eacute;d&eacute;e</em>, sviluppa una riflessione intorno alla passione della collera, un sentimento umano violento e reattivo che rappresenta, in alcune circostanze, una forma legittima e salutare di indignazione. E&rsquo; tale giusta indignazione a promuovere un atto vendicativo necessario, attraverso un processo di autocontrollo e di elaborazione che questa <em>Medea</em> cinquecentesca interpreta perfettamente. L&rsquo;analisi mette in luce l&rsquo;influenza di una produzione umanista - la tragedia neolatina <em>Medea</em> di Buchanan, il commento di Muret all&rsquo;<em>Etica Nicomachea</em>, gli <em>Emblemata</em> di Alciato - che sedimenta nella riflessione di La P&eacute;ruse, studioso di diritto, poeta e drammaturgo, membro della nascente Pl&eacute;iade.</p> <p align="JUSTIFY"><strong>Parole chiavi.</strong> Rinascimento, Teatro, Tragedia, Collera, Medea, Emblema.</p> <p align="JUSTIFY">&nbsp;</p> <p align="JUSTIFY"><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_9_10.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 273 Kb)</a></strong></p> <p>&nbsp;</p> Thu, 16 May 2019 09:21:00 +0200 daniel.ramirezmahecha