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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag miguel-real
https://atlante.univ-lille.fr/tag/miguel-real
frWed, 09 May 2018 16:01:00 +0200PluXml09. 1755 – <em>O Grande Terramoto de Lisboa</em> de Filomena Oliveira et Miguel Real (2006) : un drame historique d’hier et d’aujourd’hui
https://atlante.univ-lille.fr/09-1755-o-grande-terramoto-de-lisboa-de-filomena-oliveira-et-miguel-real-2006-un-drame-historique-dhier-et-daujourdhui.html
https://atlante.univ-lille.fr/09-1755-o-grande-terramoto-de-lisboa-de-filomena-oliveira-et-miguel-real-2006-un-drame-historique-dhier-et-daujourdhui.html<p>Marie-Noëlle Ciccia<br />Université Paul Valery - Montpellier III<br />LLACS EA 4582<br />p. 234-260.</p><p> </p>
<p><strong>Marie-Noëlle CICCIA, « 1755 – <em>O Grande Terramoto de Lisboa</em> de Filomena Oliveira et Miguel Real (2006) : un drame historique d’hier et d’aujourd’hui ».</strong></p>
<p style="text-align: justify;"><strong>Résumé.</strong> L’intrigue fictionnelle de 1755 – O Grande Terramoto de Lisboa, pièce de Filomena Oliveira et Miguel Real, prend place au sein des événements dramatiques du tremblement de terre de Lisbonne, convoquant pour ce faire des figures historiques réelles, mêlées à des personnages issus de l’imagination des auteurs. Cependant, si le séisme est symboliquement placé au centre de la pièce, c’est, certes, en raison de sa gravité, mais surtout en raison de ses répercussions politiques et sociales, exceptionnelles au point que le Portugal les subirait encore aujourd’hui. Filomena Oliveira et Miguel Real affirment en introduction à l’édition du texte avoir voulu faire réfléchir leurs contemporains sur la mentalité portugaise actuelle découlant, selon eux, de la politique pombaline imposée à la suite de la catastrophe. Ce drame propose donc une lecture politique liant théâtre, temps et histoire. L’objectivité historique affichée ici se double d’une volonté didactique d’interpréter les faits, volonté qui ne néglige pas l’appel à la sensibilité du spectateur, associée à sa capacité d’établir des comparaisons entre la situation de l’époque et l’actualité. C’est bien le temps de l’écriture qui fait le sens de l’événement historique. Filomena Oliveira et Miguel Real ont produit une sorte de drame romantique théâtralisant leur discours politique bâti sur la défense d’une société civile portugaise en proie à la crise économique du début du XXIe siècle. Ils considèrent que, comme au XVIIIe siècle, un pouvoir fort impose, du haut, règles et lois censées moderniser le pays, tout comme Pombal a infligé sa politique de redressement post-séisme à une société qu’il voulait par la force ériger en nation moderne.</p>
<p style="text-align: justify;"><strong>Mots-clés</strong>. Carvalho e Melo (marquis de Pombal), Filomena Oliveira, Miguel Real, tremblement de terre de Lisbonne.</p>
<p> </p>
<p><strong><strong>Marie-Noëlle CICCIA, « 1755 – <em>O Grande Terramoto de Lisboa</em> by Filomena Oliveira and Miguel Real (2006) : a historical drama of yesterday and today ».</strong></strong></p>
<p style="text-align: justify;"><strong>Abstract.</strong> The fictional plot of 1755 – O Grande Terramoto de Lisboa, a play by Filomena Oliveira and Miguel Real, takes place during the dramatic events of the earthquake of Lisbon. In order to expose those events, real historical figures are mixed with characters issued from the imagination of the authors. However, if the earthquake is symbolically located at the core of the play, because of its gravity, it is mostly because of its political and social implications so exceptional that Portugal is still suffering from them today. In the introduction to the edited text, Filomena Oliveira and Miguel Real state that their aim was to prompt their contemporaries’ reflection on the current Portuguese mentality resulting, according to them, in the Pombal policy imposed after the disaster. This drama offers a political reading linking theater, time and history. The pretended historical objectivity is coupled with a didactic desire to interpret the facts, a desire that flatters the sensitivity of the spectator, combined with his ability to draw parallels between the past situation and today. The date of writing endows the historical event with meaning. Filomena Oliveira and Miguel Real have composed a kind of romantic play by dramatizing their political discourse built on the defense of a Portuguese civil society victim of the economic crisis of the early twenty-first century. They consider that, similarly to the eighteenth century, a strong and dominating power is currently setting the rules and the laws intended to modernize the country, in the same way as Pombal imposed his post-earthquake recovery policy to a society he wanted to fashion into a modern nation.</p>
<p style="text-align: justify;"><strong>Keywords.</strong> Carvalho e Melo (marquis of Pombal), Filomena Oliveira, Miguel Real, Lisbon earthquake.</p>
<p> </p>
<p><strong><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_1_9.pdf">Télécharger l'article complet (pdf, 323 Kb)</a></strong></p>
<p> </p>Wed, 09 May 2018 16:01:00 +0200admin