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Atlante - Revue d'études romanes - Tag pellegrinaggio https://atlante.univ-lille.fr/tag/pellegrinaggio fr Sun, 13 Dec 2020 20:25:00 +0100 PluXml 04. Fuori di casa. Personaggi in cammino nel <em>Decameron</em> https://atlante.univ-lille.fr/04-fuori-di-casa-personaggi-in-cammino-nel-emdecameron-em.html https://atlante.univ-lille.fr/04-fuori-di-casa-personaggi-in-cammino-nel-emdecameron-em.html <p>Renzo Bragantini<br />Sapienza&ndash; Universit&agrave; di Roma<br />p.82-100.</p><p style="text-align: justify;"><strong>Renzo BRAGANTINI, &laquo; Fuori di casa. Personaggi in cammino nel <em>Decameron</em>&nbsp;&raquo;</strong></p> <p style="text-align: justify;"><strong>Riassunto. </strong>Sin dall&rsquo;inizio, il <em>Decameron </em>si presenta come un libro di espatrio, un espatrio che &egrave; s&igrave; spaziale, ma anche e soprattutto culturale, intellettuale, civile. Da qui discende la possibilit&agrave; di leggere il libro come tentativo di ricostruzione di una societ&agrave; infettata, oltre che dal morbo, dalla caduta delle leggi della convivenza quotidiana, che la peste ha paurosamente alimentato. Non deve perci&ograve; sorprendere che nella raccolta compaiano con una certa frequenza figure dell&rsquo;erranza. Il saggio si concentra su alcune di esse, a protagonismo femminile (Zinevra, Giletta di Nerbona) e maschile (il conte d&rsquo;Anguersa, Tedaldo), le cui movenze sono spesso, e concretamente, presentate come quelle di pellegrine/i, talora esplicitamente travestiti, e persino mutate di sesso (Zinevra). Il saggio traccia una linea di continuit&agrave; tra la loro esperienza e quella dei narratori della raccolta.</p> <p style="text-align: justify;"><strong>Parole chiave: </strong>Boccaccio, <em>Decameron</em>, espatrio, viaggio, pellegrinaggio, racconto, cornice, ricerca amorosa.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Renzo BRAGANTINI, </strong><strong>&laquo;&nbsp;Hors de chez soi. Personnages en marche dans le <em>D&eacute;cam&eacute;ron</em>&nbsp;&raquo;</strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;. </strong>D&egrave;s le d&eacute;but, le <em>D&eacute;cam&eacute;ron</em> se pr&eacute;sente comme un livre d&rsquo;expatriation, une expatriation spatiale certes, mais aussi et surtout culturelle, intellectuelle, civile. D&rsquo;o&ugrave; la possibilit&eacute; de lire le livre comme une tentative de reconstruction d&rsquo;une soci&eacute;t&eacute; infect&eacute;e non seulement par la maladie, mais aussi par la d&eacute;cadence des lois du vivre ensemble que la peste a terriblement favoris&eacute;e. Il n&rsquo;est donc pas surprenant que des figures de l&rsquo;errance apparaissent avec une certaine fr&eacute;quence dans le recueil. L&rsquo;article se concentre sur certaines d&rsquo;entre elles, avec des protagonistes f&eacute;minins (Zinevra, Gilette de Narbonne) et masculins (le comte d&rsquo;Anvers, Tedaldo), dont les mouvements sont souvent, et concr&egrave;tement, pr&eacute;sent&eacute;s comme ceux de p&egrave;lerins/es, parfois explicitement d&eacute;guis&eacute;s, voire ayant chang&eacute; de sexe (Zinevra). L&rsquo;article trace une ligne de continuit&eacute; entre leur exp&eacute;rience et celle des narrateurs du recueil.</p> <p style="text-align: justify;"><strong>Mots-cl&eacute;s: </strong>Boccace, <em>D&eacute;cam&eacute;ron</em>, expatriation, voyage, p&egrave;lerinage, r&eacute;cit, histoire-cadre, qu&ecirc;te amoureuse.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Renzo BRAGANTINI, </strong><strong>&ldquo;Away from home. Characters on the move in the <em>Decameron</em>&rdquo;</strong></p> <p style="text-align: justify;"><strong>Abstract: </strong>From the beginning, the <em>Decameron</em> is presented as a book of expatriation, an expatriation that is indeed spatial, but also and above all cultural, intellectual, civil. From this comes the possibility of reading the book as an attempt to reconstruct a society infected not only by the disease, but also by the fall of the laws of daily living together, which the plague has fearfully fed. It should therefore come as no surprise that figures of wandering appear with a certain frequency in the collection. The essay focuses on some of them, with female (Geneva, Giletta di Nerbona) and male (Count d&rsquo;Anguersa, Tedaldo) protagonists, whose movements are often, and concretely, presented as those of pilgrims, sometimes explicitly disguised, and even sexually changed (Geneva). The essay traces a line of continuity between their experience and that of the narrators of the collection.</p> <p style="text-align: justify;"><strong>Keywords</strong></p> <p style="text-align: justify;">Boccaccio, <em>Decameron</em>, Expatriation, Travel, Pilgrimage, Novella, Frame-tale, Amorous Search.</p> <p><a href="https://atlante.univ-lille.fr/data/images/atlante-12/82-100-r-bragantini.pdf">T&eacute;l&eacute;charger l'article complet ( pdf, 277 Kb)</a></p> Sun, 13 Dec 2020 20:25:00 +0100 marianne.bloch-robin