Atlante - Revue d'études romanes - Tag raison-vs-deraison

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	<title>Atlante - Revue d&#039;études romanes - Tag raison-vs-deraison</title>
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		<title>11. Allégories et animalisation dans les &lt;em&gt;Desastres de la guerra&lt;/em&gt;</title> 
		<link>https://atlante.univ-lille.fr/11-allegories-et-animalisation-dans-les-desastres-de-la-guerra.html</link>
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		<description>&lt;p&gt;Jacques Soubeyroux&lt;br /&gt;Universit&amp;eacute; de Saint-&amp;Eacute;tienne&lt;br /&gt;CELEC&lt;br /&gt;p. 237-256.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;laquo;&amp;nbsp;All&amp;eacute;gorie et animalisation dans les &lt;em&gt;Desastres de la guerra&amp;nbsp;&lt;/em&gt;&amp;raquo;&lt;em&gt;.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&amp;nbsp;&lt;/strong&gt;L&amp;rsquo;une des caract&amp;eacute;ristiques des &lt;em&gt;Desastres de la guerra&amp;nbsp;&lt;/em&gt;est sans doute la place importante qu&amp;rsquo;y occupe l&amp;rsquo;imaginaire, sous la forme de l&amp;rsquo;all&amp;eacute;gorie et de l&amp;rsquo;animalisation.&lt;br /&gt;Les grands id&amp;eacute;aux abstraits (la Nation, la Justice, la V&amp;eacute;rit&amp;eacute;) apparaissent dans cinq planches de la troisi&amp;egrave;me partie qu&amp;rsquo;on peut rapprocher d&amp;rsquo;autres &amp;oelig;uvres (les dessins 117 et 118 de l&amp;rsquo;&lt;em&gt;Album C&lt;/em&gt;, la &lt;a name=&quot;_Hlk479350564&quot;&gt;&lt;/a&gt;&lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) produites pendant la p&amp;eacute;riode euphorique allant de la promulgation de la Constitution &amp;agrave; la fin de la guerre.&lt;br /&gt;La dialectique entre Raison et D&amp;eacute;raison, pos&amp;eacute;e par la l&amp;eacute;gende de la planche n&amp;deg;&amp;nbsp;2, ouvre la voie &amp;agrave; une repr&amp;eacute;sentation tout au long de la premi&amp;egrave;re partie d&amp;rsquo;humains animalis&amp;eacute;s sous la forme de combattants (hommes et femmes) transform&amp;eacute;s en b&amp;ecirc;tes sauvages.&lt;br /&gt;Les planches n&amp;deg;&amp;nbsp;71 &amp;agrave; 78 fonctionnent, sur le mod&amp;egrave;le explicitement cit&amp;eacute; des &lt;em&gt;Animaux parlants &lt;/em&gt;de Giambattista Casti, comme une zoocratie qui est une satire virulente de la Cour de Ferdinand VII dans laquelle les animaux (renard, chat, vautour, vampires, oiseaux de proie) repr&amp;eacute;sentent le roi et son entourage.&lt;br /&gt;C&amp;rsquo;est finalement &amp;agrave; travers ces all&amp;eacute;gories que s&amp;rsquo;affirment le plus clairement les fondements id&amp;eacute;ologiques et &amp;eacute;thiques de l&amp;rsquo;engagement politique de Goya.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s.&amp;nbsp;&lt;/strong&gt;Nation, Justice, V&amp;eacute;rit&amp;eacute;, Raison vs D&amp;eacute;raison, Satire politique.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;ldquo;Alegor&amp;iacute;a y animalizaci&amp;oacute;n en los &lt;em&gt;Desastres de la guerra&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen.&amp;nbsp;&lt;/strong&gt;Una de las caracter&amp;iacute;sticas de los &lt;strong&gt;&lt;em&gt;Desastres de la guerra &lt;/em&gt;&lt;/strong&gt;es sin duda el papel importante que desempe&amp;ntilde;a el imaginario bajo la forma de la alegor&amp;iacute;a y la animalizaci&amp;oacute;n.&lt;br /&gt;Los grandes ideales abstractos (la Naci&amp;oacute;n, la Justicia, la Verdad) aparecen en cinco grabados de la tercera parte que podemos relacionar con otras obras (los dibujos 117 y 118 del &lt;em&gt;&amp;Aacute;lbum C, &lt;/em&gt;la &lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) producidas durante los a&amp;ntilde;os euf&amp;oacute;ricos que median entre la proclamaci&amp;oacute;n de la Constituci&amp;oacute;n y el fin de la guerra.&lt;br /&gt;La dial&amp;eacute;ctica entre Raz&amp;oacute;n y sinraz&amp;oacute;n anunciada por la leyenda del grabado 2 abre la v&amp;iacute;a a una representaci&amp;oacute;n en toda la primera parte de humanos animalizados bajo la forma de combatientes, hombres y mujeres, convertidos en fieras.&lt;br /&gt;Los grabados 71 a 78 funcionan, seg&amp;uacute;n el modelo expl&amp;iacute;citamente citado de los &lt;em&gt;Animales parlantes &lt;/em&gt;de Giambattista Casti, como una zoocracia que es una s&amp;aacute;tira feroz de la Corte de Fernando VII en la que los animales (la zorra, el gato, el buitre, los vampiros, las aves de presa) representan al monarca y su entorno.&lt;br /&gt;A trav&amp;eacute;s de esas alegor&amp;iacute;as es finalmente donde mejor se afirman las bases ideol&amp;oacute;gicas y &amp;eacute;ticas del compromiso pol&amp;iacute;tico de Goya.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave.&amp;nbsp;&lt;/strong&gt;Naci&amp;oacute;n, Justicia, Verdad, Raz&amp;oacute;n vs sinraz&amp;oacute;n, S&amp;aacute;tira pol&amp;iacute;tica.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;ldquo;Allegory and Animalization in the &lt;em&gt;Desastres de la guerra&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract.&amp;nbsp;&lt;/strong&gt;Without a doubt, one of the characteristics of the &lt;em&gt;Desastres de la Guerra&lt;/em&gt; is the important part of it which belongs to imagination, in the form of allegory and animalization.&lt;br /&gt;The great abstract ideals of Nation, Justice and Truth appear in five plates from the third part, which can be compared to other works (drawings 117 and 118 of &lt;em&gt;Album C&lt;/em&gt;, the &lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) realized during the euphoric period that goes from the enactment of the Constitution to the end of the war.&lt;br /&gt;The dialectic between Reason and Unreason, which is established by the caption of plate no.&amp;nbsp;2, paves the way for a representation of animalized human beings, in the form of male and female fighters turned into wild beasts.&lt;br /&gt;Following the explicitly quoted model of Giambattista Casti&amp;rsquo;s &lt;em&gt;Talking animals&lt;/em&gt;, plates no.&amp;nbsp;71 to 78 function as a zoocracy, which is an aggressive satire of Ferdinand&amp;nbsp;VII&amp;rsquo;s court. Here, animals &amp;ndash; the fox, the cat, the vulture, vampires, birds of prey &amp;ndash; represent the king and his relatives.&lt;br /&gt;Finally, it is through these allegories that the ideological and ethical founding principles of Goya&amp;rsquo;s political commitment are most clearly expressed.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords.&amp;nbsp;&lt;/strong&gt;Nation, Justice, Truth, Reason vs unreason, political Satire.&lt;/p&gt;
&lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_6_12.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 1 Mb)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description>
		<pubDate>Thu, 21 Jun 2018 09:16:00 +0200</pubDate>
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