Atlante - Revue d'études romanes - Tag satire-politique

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	<title>Atlante - Revue d&#039;études romanes - Tag satire-politique</title>
	<link>https://atlante.univ-lille.fr/tag/satire-politique</link>
	<language>fr</language>
	<description></description>
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	<lastBuildDate>Thu, 21 Jun 2018 09:16:00 +0200</lastBuildDate>
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		<title>11. Allégories et animalisation dans les &lt;em&gt;Desastres de la guerra&lt;/em&gt;</title> 
		<link>https://atlante.univ-lille.fr/11-allegories-et-animalisation-dans-les-desastres-de-la-guerra.html</link>
		<guid>https://atlante.univ-lille.fr/11-allegories-et-animalisation-dans-les-desastres-de-la-guerra.html</guid>
		<description>&lt;p&gt;Jacques Soubeyroux&lt;br /&gt;Universit&amp;eacute; de Saint-&amp;Eacute;tienne&lt;br /&gt;CELEC&lt;br /&gt;p. 237-256.&lt;/p&gt;&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;laquo;&amp;nbsp;All&amp;eacute;gorie et animalisation dans les &lt;em&gt;Desastres de la guerra&amp;nbsp;&lt;/em&gt;&amp;raquo;&lt;em&gt;.&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&amp;nbsp;&lt;/strong&gt;L&amp;rsquo;une des caract&amp;eacute;ristiques des &lt;em&gt;Desastres de la guerra&amp;nbsp;&lt;/em&gt;est sans doute la place importante qu&amp;rsquo;y occupe l&amp;rsquo;imaginaire, sous la forme de l&amp;rsquo;all&amp;eacute;gorie et de l&amp;rsquo;animalisation.&lt;br /&gt;Les grands id&amp;eacute;aux abstraits (la Nation, la Justice, la V&amp;eacute;rit&amp;eacute;) apparaissent dans cinq planches de la troisi&amp;egrave;me partie qu&amp;rsquo;on peut rapprocher d&amp;rsquo;autres &amp;oelig;uvres (les dessins 117 et 118 de l&amp;rsquo;&lt;em&gt;Album C&lt;/em&gt;, la &lt;a name=&quot;_Hlk479350564&quot;&gt;&lt;/a&gt;&lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) produites pendant la p&amp;eacute;riode euphorique allant de la promulgation de la Constitution &amp;agrave; la fin de la guerre.&lt;br /&gt;La dialectique entre Raison et D&amp;eacute;raison, pos&amp;eacute;e par la l&amp;eacute;gende de la planche n&amp;deg;&amp;nbsp;2, ouvre la voie &amp;agrave; une repr&amp;eacute;sentation tout au long de la premi&amp;egrave;re partie d&amp;rsquo;humains animalis&amp;eacute;s sous la forme de combattants (hommes et femmes) transform&amp;eacute;s en b&amp;ecirc;tes sauvages.&lt;br /&gt;Les planches n&amp;deg;&amp;nbsp;71 &amp;agrave; 78 fonctionnent, sur le mod&amp;egrave;le explicitement cit&amp;eacute; des &lt;em&gt;Animaux parlants &lt;/em&gt;de Giambattista Casti, comme une zoocratie qui est une satire virulente de la Cour de Ferdinand VII dans laquelle les animaux (renard, chat, vautour, vampires, oiseaux de proie) repr&amp;eacute;sentent le roi et son entourage.&lt;br /&gt;C&amp;rsquo;est finalement &amp;agrave; travers ces all&amp;eacute;gories que s&amp;rsquo;affirment le plus clairement les fondements id&amp;eacute;ologiques et &amp;eacute;thiques de l&amp;rsquo;engagement politique de Goya.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Mots-cl&amp;eacute;s.&amp;nbsp;&lt;/strong&gt;Nation, Justice, V&amp;eacute;rit&amp;eacute;, Raison vs D&amp;eacute;raison, Satire politique.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;ldquo;Alegor&amp;iacute;a y animalizaci&amp;oacute;n en los &lt;em&gt;Desastres de la guerra&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Resumen.&amp;nbsp;&lt;/strong&gt;Una de las caracter&amp;iacute;sticas de los &lt;strong&gt;&lt;em&gt;Desastres de la guerra &lt;/em&gt;&lt;/strong&gt;es sin duda el papel importante que desempe&amp;ntilde;a el imaginario bajo la forma de la alegor&amp;iacute;a y la animalizaci&amp;oacute;n.&lt;br /&gt;Los grandes ideales abstractos (la Naci&amp;oacute;n, la Justicia, la Verdad) aparecen en cinco grabados de la tercera parte que podemos relacionar con otras obras (los dibujos 117 y 118 del &lt;em&gt;&amp;Aacute;lbum C, &lt;/em&gt;la &lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) producidas durante los a&amp;ntilde;os euf&amp;oacute;ricos que median entre la proclamaci&amp;oacute;n de la Constituci&amp;oacute;n y el fin de la guerra.&lt;br /&gt;La dial&amp;eacute;ctica entre Raz&amp;oacute;n y sinraz&amp;oacute;n anunciada por la leyenda del grabado 2 abre la v&amp;iacute;a a una representaci&amp;oacute;n en toda la primera parte de humanos animalizados bajo la forma de combatientes, hombres y mujeres, convertidos en fieras.&lt;br /&gt;Los grabados 71 a 78 funcionan, seg&amp;uacute;n el modelo expl&amp;iacute;citamente citado de los &lt;em&gt;Animales parlantes &lt;/em&gt;de Giambattista Casti, como una zoocracia que es una s&amp;aacute;tira feroz de la Corte de Fernando VII en la que los animales (la zorra, el gato, el buitre, los vampiros, las aves de presa) representan al monarca y su entorno.&lt;br /&gt;A trav&amp;eacute;s de esas alegor&amp;iacute;as es finalmente donde mejor se afirman las bases ideol&amp;oacute;gicas y &amp;eacute;ticas del compromiso pol&amp;iacute;tico de Goya.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Palabras clave.&amp;nbsp;&lt;/strong&gt;Naci&amp;oacute;n, Justicia, Verdad, Raz&amp;oacute;n vs sinraz&amp;oacute;n, S&amp;aacute;tira pol&amp;iacute;tica.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Jacques SOUBEYROUX, &amp;ldquo;Allegory and Animalization in the &lt;em&gt;Desastres de la guerra&lt;/em&gt;&amp;rdquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Abstract.&amp;nbsp;&lt;/strong&gt;Without a doubt, one of the characteristics of the &lt;em&gt;Desastres de la Guerra&lt;/em&gt; is the important part of it which belongs to imagination, in the form of allegory and animalization.&lt;br /&gt;The great abstract ideals of Nation, Justice and Truth appear in five plates from the third part, which can be compared to other works (drawings 117 and 118 of &lt;em&gt;Album C&lt;/em&gt;, the &lt;em&gt;Alegor&amp;iacute;a de la aprobaci&amp;oacute;n de la Constituci&amp;oacute;n de C&amp;aacute;diz de 1812&lt;/em&gt;) realized during the euphoric period that goes from the enactment of the Constitution to the end of the war.&lt;br /&gt;The dialectic between Reason and Unreason, which is established by the caption of plate no.&amp;nbsp;2, paves the way for a representation of animalized human beings, in the form of male and female fighters turned into wild beasts.&lt;br /&gt;Following the explicitly quoted model of Giambattista Casti&amp;rsquo;s &lt;em&gt;Talking animals&lt;/em&gt;, plates no.&amp;nbsp;71 to 78 function as a zoocracy, which is an aggressive satire of Ferdinand&amp;nbsp;VII&amp;rsquo;s court. Here, animals &amp;ndash; the fox, the cat, the vulture, vampires, birds of prey &amp;ndash; represent the king and his relatives.&lt;br /&gt;Finally, it is through these allegories that the ideological and ethical founding principles of Goya&amp;rsquo;s political commitment are most clearly expressed.&lt;/p&gt;
&lt;p style=&quot;text-align: justify;&quot;&gt;&lt;strong&gt;Keywords.&amp;nbsp;&lt;/strong&gt;Nation, Justice, Truth, Reason vs unreason, political Satire.&lt;/p&gt;
&lt;h2&gt;&amp;nbsp;&lt;/h2&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_6_12.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 1 Mb)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;</description>
		<pubDate>Thu, 21 Jun 2018 09:16:00 +0200</pubDate>
		<dc:creator>admin</dc:creator>
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		<title>10. Aristocrates contre &lt;em&gt;letrados&lt;/em&gt; : la guerre de plume entre le comte de Villamediana et quelques créatures du duc de Lerma</title> 
		<link>https://atlante.univ-lille.fr/09-aristocrates-contre-letrados-la-guerre-de-plume-entre-le-comte-de-villamediana-et-quelques-creatures-du-duc-de-lerma.html</link>
		<guid>https://atlante.univ-lille.fr/09-aristocrates-contre-letrados-la-guerre-de-plume-entre-le-comte-de-villamediana-et-quelques-creatures-du-duc-de-lerma.html</guid>
		<description>&lt;p&gt;Philippe Rouached&lt;br /&gt;Universit&amp;eacute; Paris-Sorbonne&lt;br /&gt;CLEA EA 4083&lt;br /&gt;p. 239-263.&lt;/p&gt;&lt;div&gt;
&lt;div class=&quot;atlantetablecont&quot;&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Philippe ROUACHED, &amp;laquo;&amp;nbsp;Aristocrates contre &lt;em&gt;letrados&lt;/em&gt; : la guerre de plume entre le comte de Villamediana et quelques cr&amp;eacute;atures du duc de Lerma &amp;raquo;.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;R&amp;eacute;sum&amp;eacute;.&lt;/strong&gt; Durant le r&amp;egrave;gne de Philippe&amp;nbsp;III, la satire politique joue un r&amp;ocirc;le important dans la concurrence des &amp;eacute;lites, aristocrates contre &lt;em style=&quot;font-size: 11px;&quot;&gt;letrados&lt;/em&gt;&lt;span style=&quot;font-size: 11px;&quot;&gt;. Acteur de premier plan dans cette guerre de plume contre les cr&amp;eacute;atures de Lerma, le comte de Villamediana est banni de la cour en novembre 1618 puis il revient pardonn&amp;eacute; et aur&amp;eacute;ol&amp;eacute; du prestige d&amp;rsquo;un proph&amp;egrave;te, &amp;agrave; l&amp;rsquo;av&amp;egrave;nement de Philippe&amp;nbsp;IV. Le corpus po&amp;eacute;tique &amp;eacute;tudi&amp;eacute;, fait d&amp;rsquo;attaques et de contre-attaques, se compose de dix satires en vers. La remise en cause du lignage aristocratique et la r&amp;eacute;v&amp;eacute;lation des m&amp;oelig;urs scandaleuses de Villamediana sont la principale r&amp;eacute;ponse des &lt;/span&gt;&lt;em style=&quot;font-size: 11px;&quot;&gt;letrados&lt;/em&gt;&lt;span style=&quot;font-size: 11px;&quot;&gt; accus&amp;eacute;s de corruption. L&amp;rsquo;examen de sources non po&amp;eacute;tiques montre que les satires s&amp;rsquo;appuient sur un fond de v&amp;eacute;rit&amp;eacute; qui leur donne un certain cr&amp;eacute;dit et alimente la pol&amp;eacute;mique. Le public est divis&amp;eacute; entre ceux qui voient dans ces satires une censure des vices des hommes et ceux qui ne voient que m&amp;eacute;disance.&lt;/span&gt;&lt;/p&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;strong&gt;Mots-cl&amp;eacute;s.&lt;/strong&gt; Villamediana, satire politique, transmission manuscrite, favori, Habsbourg.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;Philippe ROUACHED, &amp;laquo;&amp;nbsp;Arist&amp;oacute;cratas contra letrados: la guerra de plumas entre el Conde de Villamediana y algunas criaturas del Duque de Lerma &amp;raquo;.&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Resumen.&lt;/strong&gt; Durante el reinado de Felipe&amp;nbsp;III, la s&amp;aacute;tira pol&amp;iacute;tica desempe&amp;ntilde;a un papel importante en la competencia de las &amp;eacute;lites, arist&amp;oacute;cratas contra letrados. Protagonista eminente en esta guerra de pluma contra las criaturas de Lerma, el conde de Villamediana est&amp;aacute; desterrado de la corte en noviembre de 1618 antes de volver, al principio del reinado de Felipe&amp;nbsp;IV, perdonado y aureolado con el prestigio de un profeta. El corpus considerado consta de diez s&amp;aacute;tiras en verso. El cuestionamiento del linaje aristocr&amp;aacute;tico y la revelaci&amp;oacute;n de las costumbres escandalosas de Villamediana son la respuesta principal de los letrados acusados de corrupci&amp;oacute;n. El examen de fuentes no po&amp;eacute;ticas muestra que las s&amp;aacute;tiras son en parte ver&amp;iacute;dicas, lo que les da alg&amp;uacute;n cr&amp;eacute;dito y alimenta la pol&amp;eacute;mica. El p&amp;uacute;blico se divide entre los que ven en estas s&amp;aacute;tiras una censura de los vicios de los hombres y los que no ven sino maledicencia.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palabras claves.&lt;/strong&gt; Villamediana, s&amp;aacute;tira pol&amp;iacute;tica, transmisi&amp;oacute;n manuscrita, valimiento, los Habsburgo.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;strong&gt;Philippe ROUACHED, &amp;laquo;&amp;nbsp;Aristocrats against &lt;em&gt;Letrados&lt;/em&gt;: the pen war between the Count of Villamediana and some creatures of the Duke of Lerma&amp;nbsp; &amp;raquo;.&lt;/strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abstract.&lt;/strong&gt; During the rule of Philip&amp;nbsp;III, political satire plays an important role in the competition of elites, aristocracy against&amp;nbsp;&lt;em&gt;letrados&lt;/em&gt;. A major leader in this paper war against the creatures of Lerma, the count of Villamediana is banned from the court in november 1618, he then returns being forgiven and showered with the prestige of a prophet, during the rule of Philip&amp;nbsp;IV. The poetic corpus studied, consists of attack and counter attack, is composed of 10 satires in verse. The aristocratic lineage was put into question and the disclosure of the scandalous habit of Villamediana are the main answers of the&amp;nbsp;&lt;em&gt;letrados&lt;/em&gt;&amp;nbsp;accused of corruption. The examination of the non-poetical sources reveals that the satires are based on elements of truth which gives them a certain credit and fuels the polemics. The public is divided between those who see in these satires the censorship of men&amp;rsquo;s vices and those who see only slander.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Keywords.&lt;/strong&gt; Villamediana, political satire, manuscript transmission, favorite, Habsburg.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;a href=&quot;https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_2_10.pdf&quot;&gt;T&amp;eacute;l&amp;eacute;charger l&#039;article complet (pdf, 259 Kb)&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;/div&gt;</description>
		<pubDate>Tue, 06 Feb 2018 13:14:00 +0100</pubDate>
		<dc:creator>admin</dc:creator>
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