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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag saviano
https://atlante.univ-lille.fr/tag/saviano
frFri, 01 Nov 2019 17:39:00 +0100PluXml16.Histoire, littérature, fiction : à partir du cas Saviano
https://atlante.univ-lille.fr/16-histoire-litterature-fiction-a-partir-du-cas-saviano.html
https://atlante.univ-lille.fr/16-histoire-litterature-fiction-a-partir-du-cas-saviano.html<p>Étienne Boillet<br />Université de Poitiers<br />FoReLLIS EA 3816<br />p.279-299.</p><p><strong>Etienne BOILLET, Histoire, littérature, fiction : à partir du cas Saviano.</strong></p>
<p style="text-align: justify;"><strong>Résumé. </strong>Certaines des idées exprimées par Manzoni, à propos des rapports entre l’histoire et le roman, peuvent trouver un écho chez des théoriciens de la fiction tels que Genette. C’est à partir de ce possible dialogue que nous abordons <em>Gomorra</em> de R. Saviano. L’auteur présente son livre comme une œuvre de non-fiction, genre dont il fait l’éloge en dénonçant l’ostracisme qu’aurait subi un roman comme <em>De sang-froid</em> de T. Capote (1966) et en se félicitant de la reconnaissance récente dont témoigne le prix Nobel 2015 attribué à S. Alexievicth. Mais ce discours tend aussi à effacer la frontière entre les récits strictement non fictionnels et les enquêtes romancées par l’ajout d’éléments inventés : il semblerait même que, pour l’auteur napolitain, ce soit justement cette part de fiction qui permette à l’enquête historique ou journalistique d’accéder à la littérarité et à une forme supérieure de vérité. C’est là un positionnement qu’on retrouve dans la critique, auprès de chercheurs qui, subordonnant en outre la question de la distinction entre fiction et non-fiction à l’enjeu de la modernité, voient dans <em>Gomorra</em> l’expression emblématique d’un nouveau réalisme, avec lequel se tournerait enfin la page de la postmodernité. Nous examinons ici quelques aspects notionnels relatifs à ces questions, dans le cadre d’une interrogation plus large sur la frontière entre fiction et non-fiction.</p>
<p><strong>Mots clés. </strong>Fiction, non-fiction, histoire, réalisme, Saviano, critique</p>
<p> </p>
<p><strong>Etienne BOILLET, Storia, letteratura, finzione : a partire dal caso Saviano.</strong></p>
<p style="text-align: justify;"><strong>Riassunto.</strong> Alcune idee di Manzoni sui rapporti tra la storia e il romanzo possono trovare un’eco nelle riflessioni di teorici della finzione come Genette. Alla luce di tale possibile dialogo, ci interessiamo a <em>Gomorra</em> di Roberto Saviano. L’autore presenta il proprio libro come un’opera di non-fiction, un genere di cui intesse le lodi denunciando l’ostracismo subìto da un romanzo come <em>A sangue freddo</em> di T. Capote (1966) e rallegrandosi per il recente riconoscimento simboleggiato dal Nobel 2015 attribuito a S. Aleksievich. Ma tale discorso tende anche a cancellare la differenza tra i racconti rigorosamente non finzionali e quelli finzionalizzati dall’inserimento di elementi inventati. Anzi, per lo scrittore napoletano, sembra che proprio tale componente finzionale permetta di conferire all’inchiesta storica o giornalistica una valenza letteraria, facendola accedere ad una forma superiore di verità. Nella critica si ritrova lo stesso posizionamento, attraverso studi in cui la distinzione tra fiction e non-fiction viene subordinata alla questione della modernità per individuare in <em>Gomorra</em> il simbolo di un nuovo realismo con il quale si chiude il periodo postmoderno. Esaminiamo alcuni aspetti nozionali legati a queste problematiche, nell’ambito di una interrogazione più ampia sullo spartiacque tra fiction e non-fiction.</p>
<p><strong>Parole chiave. </strong>Finzione, non-fiction, storia, realismo, Saviano, critica</p>
<p> </p>
<p><strong>Etienne BOILLET, History, literature, fiction: as from the case Saviano.</strong></p>
<p style="text-align: justify;"><strong>Abstract. </strong>Some ideas expressed by Manzoni upon the relations between novel and history are echoed in modern specialists of fiction theory as Genette. We approach Saviano’s <em>Gomorra</em> (2006) through this possible dialogue. Saviano presents his book as a work of non-fiction, a genre that he praises denunciating the ostracism suffered by a book like T. Capote’s <em>On</em> <em>cold</em> <em>blood</em> (1966) and welcoming the recent recognition illustrated by the Nobel given to S. Alexievitch in 2015. However, this discourse tends to blur the line between the non-fiction and the fiction: it seems that for the Neapolitan writer, this is precisely this fictional part within the historical or journalistic investigation which allows it to get to a literary status and to a superior form of truth. We encounter this kind of position among literary critics, particularly in studies which subordinate the differentiation between fiction and non-fiction to the question of modernity and which see in <em>Gomorra</em> the symbol of a new realism that would finally put an end to the postmodern literature. In this paper we consider some notional aspects related to these issues as part of a wider inquiry about the differentiation between fiction and non-fiction.</p>
<p><strong>Keywords. </strong>Fiction, non-fiction, history, realism, Saviano, critics</p>
<p><a href="https://atlante.univ-lille.fr/data/images/atlante-10-2/279-299-e-.-boillet.pdf">Télécharger l'article complet (Pdf, 239 Kb)</a></p>
<p> </p>Fri, 01 Nov 2019 17:39:00 +0100marianne.bloch-robin