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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag spectateur-implicite
https://atlante.univ-lille.fr/tag/spectateur-implicite
frThu, 21 Jun 2018 13:45:00 +0200PluXml13. Espectador implícito y estrategias retóricas en el cine antifranquista posibilista
https://atlante.univ-lille.fr/13-espectador-impli-cito-y-estrategias-reto-ricas-en-el-cine-antifranquista-posibilista.html
https://atlante.univ-lille.fr/13-espectador-impli-cito-y-estrategias-reto-ricas-en-el-cine-antifranquista-posibilista.html<p>Jorge Nieto Ferrando <br />Universitat de Lleida<br />p. 254- 275. </p><div class="page" title="Page 1">
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<p><strong>Jorge NIETO FERRANDO, « Spectateur implicite et stratégies rhétoriques dans le cinéma antifranquiste possibiliste</strong> ».</p>
<p><strong>Résumé.</strong> Le présent article s’intéresse au spectateur envisagé par les films qui ont recours à des subterfuges rhétoriques pour aborder des aspects politiques et sociaux en contournant les entraves à la liberté d’expression imposées par la dictature franquiste. De ce point de vue, nous étudions les points de rencontre entre les spectateurs et les auteurs, ainsi que les hypothèses formulées par les premiers sur les intentions des seconds, hypothèses qui sont nécessaires au fonctionnement du « possibilisme discursif ». Enfin, nous examinons plus précisément certains procédés, comme la synecdoque ou l’allégorie, ainsi que les différences entre spectateur implicite et spectateur réel.</p>
<p><strong>Mots-clés.</strong> Anti-franquisme, Spectateur implicite, Synecdoque, Allégorie.</p>
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<p><strong>Jorge NIETO FERRANDO, “Espectador implícito y estrategias retóricas en el cine antifranquista posibilista”.</strong></p>
<p><strong>Resumen. </strong>El presente artículo analiza al espectador previsto por las películas que recurren a subterfugios retóricos para abordar aspectos políticos y sociales excediendo los límites a la libertad de expresión implantados por la dictadura franquista. Desde esta perspectiva, se abordan los puntos de encuentro entre espectadores y autores y las especulaciones de los primeros sobre las intenciones de los segundos necesarias para el éxito del denominado “posibilismo discursivo”. Finalmente, se trata con cierto detalle de algunos recursos, como la sinécdoque o la alegoría, así como fr las diferencias entre espectador implícito y espectador real.</p>
<p><strong>Palabras clave.</strong> Antifranquismo, Espectador implícito, Sinécdoque, Alegoría.</p>
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<p><strong>Jorge NIETO FERRANDO, </strong><strong>“Implied Viewers and Rhetorical Strategies in the Anti-Francoist Possibilistic Cinema”.</strong></p>
<p><strong>Abstract.</strong> This article analyses the type of viewer envisaged by those films that addressed political and social issues by the means of rhetorical subterfuges in order to avoid the freedom of speech limits imposed by Franco’s dictatorship. From this perspective, the intersection points between viewers and authors are presented, specially the speculations of the former about the intentions of the latter, which are a condition for the success of the so-called "discursive possibilism". In the last section the usages of synecdoche and allegory are presented in some detail as well as the differences between actual and implicit viewers.</p>
<p><strong>Keywords. </strong>Anti-Francoism, Implicit viewer, Possibilism, Synecdoche, Allegory.</p>
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<p><a href="https://atlante.univ-lille.fr/data/images/_articles/ATLANTE_7_13.pdf" target="_blank"><strong>Télécharger l'article complet (pdf, 323 Kb)</strong></a></p>
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</div>Thu, 21 Jun 2018 13:45:00 +0200marianne.bloch-robin