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Warning: Cannot modify header information - headers already sent by (output started at /var/www/html/core/lib/class.plx.motor.php:349) in /var/www/html/core/lib/class.plx.feed.php on line 266 Atlante - Revue d'études romanes - Tag tomaz-de-figueiredo
https://atlante.univ-lille.fr/tag/tomaz-de-figueiredo
frSat, 13 Feb 2021 19:03:00 +0100PluXml16.Absurde et satire dans le théâtre de Tomaz de Figueiredo : critique et désillusion
https://atlante.univ-lille.fr/16-absurde-et-satire-dans-le-theatre-de-tomaz-de-figueiredo-critique-et-desillusion.html
https://atlante.univ-lille.fr/16-absurde-et-satire-dans-le-theatre-de-tomaz-de-figueiredo-critique-et-desillusion.html<p>Georges Da Costa<br />Normandie Université <br />UNICAEN / ERLIS<br />p.315-329.</p><p style="text-align: justify;"><strong>Georges DA COSTA, </strong><strong>"Absurde et satire dans le théâtre de Tomaz de Figueiredo : critique et désillusion".</strong></p>
<p style="text-align: justify;"><strong>Résumé. </strong>Poète, contiste et nouvelliste, auteur d’une « chronique héroïque », ainsi que d’un « dictionnaire de la langue parlée », Tomaz de Figueiredo (1902-1970) est surtout (re)connu comme romancier, particulièrement pour son premier livre, <em>A Toca do Lobo </em>(1947). Mais il est également l’auteur de textes dramatiques qui, certes, occupent un espace plutôt réduit au sein de son œuvre complète, mais qui sont en droit de réclamer une place particulière dans l’histoire du théâtre portugais. Tomaz de Figueiredo s’inscrit dans une longue tradition d’écrivains, de poètes et de dramaturges satiriques. Pour illustrer les différents procédés utilisés, on s’intéressera en particulier à un personnage-type, figure récurrente de son théâtre : le « Figurão » ou « Importante ». On interrogera ensuite le rôle de l’absurde dans cette entreprise dénonciatrice. Car, si satire et absurde forment un duo implacable pour régler quelques comptes familiaux et tourner en ridicule l’idéologie salazariste triomphante (qui prône le respect absolu – et hypocrite – de l’ordre et de l’autorité), leur coexistence est également le signe d’un rapport plus distancié et plus désabusé au monde.</p>
<p style="text-align: justify;"><strong>Mots-clés: </strong>Absurde, satire, Tomaz de Figueiredo, théâtre, Portugal.</p>
<p style="text-align: justify;"> </p>
<p style="text-align: justify;"><strong>Georges DA COSTA, "Absurd and satire in the theater of Tomaz de Figueiredo: criticism and disillusionment".</strong></p>
<p style="text-align: justify;"><strong>Abstract. </strong>Poet and short story writer, author of a «heroic chronicle», as well as of a «dictionary of spoken language», Tomaz de Figueiredo (1902-1970) is more (re)known as a novelist, especially for his first book, <em>A Toca do Lobo</em> (1947). But he is also the author of dramatic texts which occupy a rather limited space within his complete work but which are entitled to claim a special place in the history of Portuguese theatre. Tomaz de Figueiredo belongs to a long tradition of writers, poets and satirical playwrights. To illustrate the various literary devices used, we will pay particular attention to a typical character, a recurrent figure of his theatre: the «Figurão» or «Important». We will then question the role of the absurd. If satire and absurd form an implacable duo to settle some family accounts and make a mockery of the triumphant Salazarist ideology (which advocates absolute and hypocrite respect for order and authority), their coexistence is also a sign of a more distant and disillusioned relationship with the world.</p>
<p style="text-align: justify;"><strong>Keywords:</strong> Absurd, satire, Tomaz de Figueiredo, theatre, Portugal.</p>
<p style="text-align: justify;"> </p>
<p style="text-align: justify;"><strong>Georges DA COSTA, "Absurdo e sátira o teatro de </strong><strong>Tomaz de Figueiredo: crítica e desilusão".</strong></p>
<p style="text-align: justify;"><strong>Resumo. </strong>Poeta, contista e novelista, autor de uma «crónica heróica», assim como de um «dicionário da língua falada», Tomaz de Figueiredo (1902-1970) é sobretudo (re)conhecido como romancista, especialmente pelo seu primeiro livro, <em>A Toca do Lobo </em>(1947). Mas é também autor de textos dramáticos que, embora ocupem um espaço reduzido no seio da sua obra completa, têm o direito de reclamar um lugar especial na história do teatro português. Tomaz de Figueiredo inscreve-se numa longa tradição de escritores, poetas e dramaturgos satíricos. Para ilustrar os diferentes processos utilizados, interessar-nos-emos em particular por uma personagem-tipo, figura recorrente do seu teatro: o «Figurão» ou «Importante». Em seguida, estudaremos a função denunciadora do absurdo no teatro do autor. Porque, se sátira e absurdo formam um duo implacável para ajustar algumas contas e ridicularizar a ideologia salazarista triunfante (que prega o respeito absoluto – e hipócrita – da ordem e da autoridade), a sua coexistência é também sinal de uma relação mais distanciada e mais desiludida com o mundo.</p>
<p style="text-align: justify;"><strong>Palavras-chave: </strong>Absurdo, sátira, Tomaz de Figueiredo, teatro, Portugal.</p>
<p style="text-align: justify;"><a href="https://atlante.univ-lille.fr/data/images/atlante-13/16.-article-da-costa-decembre-2020.pdf">Télécharger l'article complet ( pdf, 396 Kb)</a></p>
<p> </p>Sat, 13 Feb 2021 19:03:00 +0100marianne.bloch-robin