Atlante - Revue d'études romanes

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Atlante - Revue d'études romanes - Tag tragique https://atlante.univ-lille.fr/tag/tragique fr Fri, 01 Nov 2019 15:25:00 +0100 PluXml 09.Quand le théâtre caribéen francophone s’empare de « l’Histoire immédiate » : Les Atlantiques amers de Gerty Dambury https://atlante.univ-lille.fr/quand-le-theatre-caribeen-francophone-sempare-de-lhistoire-immediate-emles-atlantiques-amers-em-de-gerty-dambury.html https://atlante.univ-lille.fr/quand-le-theatre-caribeen-francophone-sempare-de-lhistoire-immediate-emles-atlantiques-amers-em-de-gerty-dambury.html Axel Artheron Université des Antilles CRILLASH EA 4095 p.156-173.Axel ARTHERON, Quand le théâtre caribéen francophone s’empare de « l’Histoire immédiate » : Les Atlantiques amers de Gerty Dambury. Résumé. La pièce Les Atlantiques amers, publiée en 2014 par la dramaturge guadeloupéenne Gerty Dambury, interroge le thème historique de la grève sociale de 2009, mouvement d’une ampleur et d’une forme inouïes qui pétrifia les économies insulaires antillaises. Donnant à voir et à penser ce phénomène social et politique, ce drame met en place une dramaturgie qui actualise sur scène la réception de la grève et son effet sur le corps social. Dans cette perspective, Gerty Dambury organise une représentation de l’évènement historique qui s’articule à partir de ses grandes dimensions symboliques et emblématiques ainsi que la mise en place d’une mécanique tragique. Mots clés. Théâtre, Caraïbes, francophonie, histoire, grève, tragique, Gerty Dambury   Axel ARTHERON, Cuando el teatro caribeño francófono reacciona ante la «Historia inmediata»: Les Atlantiques amers de Gerty Dambury. Resumen. La pieza Les Atlantiques amers, publicada en 2014 por la dramaturga guadalupeña Gerty Dambury, cuestiona el tema histórico de la huelga social de 2009 ; movimiento de gran alcance tanto en su forma como en su amplitud que petrificó las economías de las islas de las Antillas.Ofreciendo ese fenómeno social y político motivo a representarse y a pensar, este drama pone en marcha un teatro que actualiza en la escena la recepción de la manifestación y su efecto en el cuerpo social.En esta perspectiva, Gerty Dambury organiza una representación del suceso histórico que se acopla a sus grandes dimensiones simbólicas, emblemáticas y la instalacion de un mecanismo de lo trágico. Palabras clave. Teatro, Caribe, francofonía, historia, manifestación, lo trágico, Gerty Dambury   Axel ARTHERON, When French-speaking Caribbean theater takes over the ‘Immediate History’:Gerty Dambury’s Bitter Atlantics. Abstract. Bitter Atlantics, published in 2014 and written by guadeloupean playwright Gerty Dambury, questions the historical social strikes of 2009 considered as a large and unprecedented event which petrified the economies of the french caribbean islands. Offering a new way to see and think this social and political phenomenon, this play sets up a dramaturgy which updates, on stage, the reception of the strike and its consequences on the social body. Within this perspective, Gerty Dambury organises a representation of the historical event which articulates around great symbolic dimensions and the set up of a tragic mechanism. Keywords. Drama, Caribbean, francophone, history, strike, tragic, Gerty Dambury   <a href="https://atlante.univ-lille.fr/data/images/atlante-10-2/156-173-a.-artheron.pdf">Télécharger l'article complet (Pdf, 216 Kb)</a> Fri, 01 Nov 2019 15:25:00 +0100 marianne.bloch-robin