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Atlante - Revue d'études romanes - Tag venezuela https://atlante.univ-lille.fr/tag/venezuela fr Fri, 12 Feb 2021 10:24:00 +0100 PluXml 06. Humour graphique comme un outil de dénonciation politique dans le Venezuela contemporain https://atlante.univ-lille.fr/6-humour-graphique-comme-un-outil-de-denonciation-politique-dans-le-venezuela-contemporain.html https://atlante.univ-lille.fr/6-humour-graphique-comme-un-outil-de-denonciation-politique-dans-le-venezuela-contemporain.html <p>Magdalena Sedek,<br />Universidad de Silesia en Katowice<br />p.119-139.</p><p style="text-align: justify;"><strong>Magdalena SEDEK, </strong><strong>&laquo;&nbsp;Humour graphique comme un outil de d&eacute;nonciation politique dans le Venezuela contemporain&nbsp;&raquo;.</strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;. </strong>Le but de cet article est double. En premier lieu, il consiste &agrave; offrir quelques r&eacute;flexions sur la situation de l&rsquo;humour graphique de contenu sociopolitique dans le Venezuela contemporain. Face au d&eacute;clin de la libert&eacute; d&rsquo;expression et aux innombrables tentatives de censure et d&rsquo;intimidation de ceux qui diff&egrave;rent de l&rsquo;id&eacute;ologie officielle de l&rsquo;&Eacute;tat, le journalisme ind&eacute;pendant et surtout l&rsquo;humour graphique passent &agrave; Internet. En fait, les vignettes politiques prolif&egrave;rent sur les r&eacute;seaux sociaux, blogs ou pages de journaux num&eacute;riques et, simultan&eacute;ment, elles deviennent le portrait le plus incisif de la r&eacute;alit&eacute;, ainsi que le symbole de la r&eacute;sistance contre le pouvoir. Par cons&eacute;quent, en deuxi&egrave;me lieu, on essaie de montrer comment les principaux humoristes graphiques v&eacute;n&eacute;zu&eacute;liens ont pass&eacute; en revue les &eacute;v&eacute;nements sociopolitiques les plus r&eacute;cents de leur pays. L&rsquo;analyse prend en compte &agrave; la fois le caract&egrave;re multimodal des vignettes et les m&eacute;canismes permettant de comprendre leurs messages humoristiques et critiques.</p> <p style="text-align: justify;"><strong>Mots-cl&eacute;s:</strong>Humour graphique, Venezuela, multimodalit&eacute;, m&eacute;taphore, incongruit&eacute;.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Magdalena SEDEK, &ldquo;Humor gr&aacute;fico como una herramienta de denuncia pol&iacute;tica en la Venezuela contempor&aacute;nea&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Resumen.</strong>El prop&oacute;sito del presente art&iacute;culo es doble. En primer lugar, consiste en ofrecer algunas reflexiones acerca de la situaci&oacute;n del humor gr&aacute;fico de contenido sociopol&iacute;tico en la Venezuela contempor&aacute;nea. Frente al declive de la libertad de expresi&oacute;n y a los innumerables intentos de censurar e intimidar a quienes difieran de la ideolog&iacute;a oficial del Estado, el periodismo independiente y, en especial, el humor gr&aacute;fico se trasladan a Internet. De hecho, las vi&ntilde;etas pol&iacute;ticas est&aacute;n proliferando en redes sociales, blogs o p&aacute;ginas de peri&oacute;dicos digitales y, simult&aacute;neamente, se convierten en el retrato m&aacute;s incisivo de la realidad, as&iacute; como en el s&iacute;mbolo de resistencia contra el poder. Por ende, en segundo lugar, se intenta demostrar c&oacute;mo los principales humoristas gr&aacute;ficos venezolanos han rese&ntilde;ado los acontecimientos sociopol&iacute;ticos m&aacute;s recientes experimentados por su pa&iacute;s. El an&aacute;lisis toma en cuenta tanto el car&aacute;cter multimodal de vi&ntilde;etas como los mecanismos de comprensi&oacute;n de sus mensajes humor&iacute;stico-cr&iacute;ticos.</p> <p style="text-align: justify;"><strong>Palabras clave: </strong>Humor gr&aacute;fico, Venezuela, multimodalidad, met&aacute;fora, incongruencia.</p> <p style="text-align: justify;">&nbsp;</p> <p style="text-align: justify;"><strong>Magdalena SEDEK, &ldquo;Graphic humor as a means for political denunciation in contemporary Venezuela&rdquo;.</strong></p> <p style="text-align: justify;"><strong>Abstract. </strong>The objective of this article is dual. Firstly, it offers some reflections on the status of graphic humor of socio-political content in contemporary Venezuela. Faced with the decline in freedom of expression and countless attempts to censor and intimidate those who differ from the official ideology of the State, independent journalism and, in particular, graphic humor are moving to the Internet. In fact, political cartoons are spreading on social networks, blogs or digital newspaper websites and, simultaneously, they become the most incisive portrait of reality, as well as the symbol of resistance against power. Therefore, secondly, the author tries to demonstrate how the main Venezuelan graphic humorists have reviewed the most recent socio-political events experienced by their country. The analysis takes into account both the multimodal character of cartoons and the mechanisms for understanding their humorous-critical messages.</p> <p style="text-align: justify;"><strong>Keywords: </strong>Graphic humour, Venezuela, multimodality, metaphor, incongruity.</p> <p style="text-align: justify;"><a href="https://atlante.univ-lille.fr/data/images/atlante-13/6-se-dek-revu-2020-vh-decembre.pdf">T&eacute;l&eacute;charger l'article complet (pdf, 1Mb)</a></p> <p style="text-align: justify;">&nbsp;</p> <p>&nbsp;</p> Fri, 12 Feb 2021 10:24:00 +0100 marianne.bloch-robin