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Atlante - Revue d'études romanes - Tag vraisemblance https://atlante.univ-lille.fr/tag/vraisemblance fr Fri, 01 Nov 2019 14:10:00 +0100 PluXml 01.«Una impressione simile al concetto»: alle origini della riflessione manzoniana su poesia e storia https://atlante.univ-lille.fr/01-una-impressione-simile-al-concetto-alle-origini-della-riflessione-manzoniana-su-poesia-e-storia.html https://atlante.univ-lille.fr/01-una-impressione-simile-al-concetto-alle-origini-della-riflessione-manzoniana-su-poesia-e-storia.html <p>Monica BISI<br />Universit&eacute; catholique Milan<br />p.16-27.</p><p><strong>Monica BISI, &laquo;Una impressione simile al concetto&raquo;: alle origini della riflessione manzoniana su poesia e storia.</strong></p> <p style="text-align: justify;"><strong>Riassunto. </strong>Il contributo analizza alcuni frammenti dei fascicoli III e IV dei <em>Materiali estetici</em> di Manzoni con lo scopo di riportarne alla luce l&rsquo;importanza e il peso anche nella produzione teorica degli anni successivi. In essi, infatti, &egrave; possibile individuare una prima decisiva formulazione della specifica attivit&agrave; del poeta nella sua differenza rispetto allo storico: fedele al dettato aristotelico, l&rsquo;autore attribuisce all&rsquo;arte imitativa il compito di rappresentare non tanto i fatti, quanto i concetti, superando gi&agrave; dagli anni Dieci le posizioni degli <em>id&eacute;ologues</em> francesi e avvicinandosi alla prospettiva del <em>Cours de litt&eacute;rature dramatique</em> di Schlegel. La riflessione sulla poesia chiamata a rappresentare, con mezzi suoi propri, l&rsquo;idea della storia, quello che la storia spinge a desiderare, trover&agrave; sviluppo e compimento non solo nella <em>Lettre &agrave; M<sup>r</sup> Chauvet</em>, ma soprattutto nelle opere degli anni Cinquanta <em>Del romanzo storico</em> e <em>Dell&rsquo;invenzione</em>, a testimonianza della fedelt&agrave; dell&rsquo;autore ad un tema e ad un metodo inaggirabili per chi si misura con la rappresentazione del vero.</p> <p><strong>Parole chiave. </strong>Alessandro Manzoni, interesse, verisimiglianza, rappresentazione del concetto, poesia, storia</p> <p>&nbsp;</p> <p><strong>Monica BISI, &laquo;&nbsp;Une impression semblable au concept&nbsp;&raquo;&nbsp;: aux origines de la r&eacute;flexion manzonienne concernant la po&eacute;sie et l&rsquo;histoire.</strong></p> <p style="text-align: justify;"><strong>R&eacute;sum&eacute;. </strong>Le document analyse quelques fragments des fascicules III et IV des <em>Mat&eacute;riaux esth&eacute;tiques</em> de Manzoni dans le but de mettre en lumi&egrave;re leur importance et leur poids dans la production th&eacute;orique des ann&eacute;es suivantes. En effet, dans ces fragments, il est possible d&rsquo;identifier une premi&egrave;re formulation d&eacute;cisive de l&rsquo;activit&eacute; sp&eacute;cifique du po&egrave;te dans sa diff&eacute;rence avec l&rsquo;historien&nbsp;: fid&egrave;le au canon aristot&eacute;licien, l&rsquo;auteur attribue &agrave; l&rsquo;art imitatif la t&acirc;che de repr&eacute;senter pas tant les faits que les concepts, d&eacute;passant ainsi les positions des id&eacute;ologues fran&ccedil;ais d&egrave;s 1816 et abordant la perspective du <em>Cours de litt&eacute;rature dramatique</em> de Schlegel. La r&eacute;flexion sur la po&eacute;sie appel&eacute;e &agrave; repr&eacute;senter, avec ses propres moyens, l&rsquo;id&eacute;e de l&rsquo;histoire, c&rsquo;est &agrave; dire ce que l&rsquo;histoire pousse &agrave; d&eacute;sirer, va se d&eacute;velopper et se r&eacute;aliser non seulement dans la <em>Lettre &agrave; M. Chauvet</em>, mais surtout dans <em>Du roman historique</em> et dans <em>De l&rsquo;invention </em>(1850), t&eacute;moignant de la fid&eacute;lit&eacute; de l&rsquo;auteur &agrave; un th&egrave;me et &agrave; une m&eacute;thode indispensables pour ceux qui ont &agrave; faire avec la repr&eacute;sentation de la v&eacute;rit&eacute;.</p> <p><strong>Mots cl&eacute;s. </strong>Alessandro Manzoni, int&eacute;r&ecirc;t, vraisemblance, repr&eacute;sentation du concept, po&eacute;sie, histoire</p> <p>&nbsp;</p> <p><strong>Monica BISI, &lsquo;An impression similar to concept&rsquo;: at the origins of Manzoni&rsquo;s reflection on poetry and history.</strong></p> <p style="text-align: justify;"><strong>Abstract. </strong>The paper analyzes some fragments of fascicles III and IV of Manzoni&rsquo;s <em>Aesthetic materials</em> with the aim of bring to light their importance and influence also in the theoretical production of the following years. It is indeed possible to identify a first decisive formulation of the specific activity of the poet in its difference from the historian: faithful to the Aristotelian dictate, the author attributes to imitative art the task of representing not the facts, but rather the concepts, surpassing since 1816 the positions of French <em>Id&eacute;ologues</em> and approaching the perspective of the <em>Cours de litt&eacute;rature dramatique</em> by Schlegel. The reflection on the poetry called to represent, with its own means, the idea of ​​history, that is what history pushes to desire, will find development and fulfilment not only in the <em>Lettre &agrave; Mr Chauvet</em>, but especially in <em>The historical novel</em> and <em>About invention </em>(1850), testifying the author&rsquo;s fidelity to an indispensable theme and to a needful method for those who measure themselves with the representation of the truth.</p> <p><strong>Keywords. </strong>Alessandro Manzoni, interest, verisimilitude, representation of the concept, poetry, history</p> <p><a href="https://atlante.univ-lille.fr/data/images/atlante-10-2/16-27-m.-bisi.pdf">T&eacute;l&eacute;charger l'article complet (Pdf, 209Kb)</a></p> Fri, 01 Nov 2019 14:10:00 +0100 marianne.bloch-robin