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14. Del culo al cielo: escatología y teología en el <em>Quijote</em> de Avellaneda - Atlante - Revue d'études romanes
Atlante - Revue d'études romanes
 

Numéro 5 - Automne 2016
La Parole inconvenante Limites et transgression dans les lettres romanes du XVIe siècle


14. Del culo al cielo: escatología y teología en el Quijote de Avellaneda -

Luis Gómez Canseco
Universidad de Huelva
p. 274-290.

Luis GÓMEZ CANSECO, Del culo al cielo: escatología y teología en el Quijote de Avellaneda.

Resumen. Cabe entender el Quijote del licenciado Alonso Fernández de Avellaneda como una suerte de sermón narrativo, en cuyo eje está el pecado mortal en el que vive el caballero. La degradación a la que somete a sus protagonistas –en la que lo escatológico tiene un papel decisivo– le sirve no solo como instrumento cómico, sino también como mecanismo doctrinal para denostar el pecado y confirmar a los lectores en unos valores colectivos.

Palabras clave: Quijote, Avellaneda, escatología, teología, risa.

 

Luis GÓMEZ CANSECO, Du cul au ciel : eschatologie et théologie dans Don Quichotte d’Avellaneda.

Résumé. Don Quichotte d’Alonso Fernández de Avellaneda peut être interprété comme un sermon narratif, au centre duquel se trouve le péché mortel du chevalier. L’auteur soumet le protagoniste à la dégradation en utilisant l’eschatologie non seulement comme ressource comique, mais aussi comme mécanisme pour condamner le péché et conforter les lecteurs dans un ensemble de valeurs collectives.

Mots-clés : Quichotte, Avellaneda, eschatologie, théologie, rire.

 

Luis GÓMEZ CANSECO, From ass to heaven: eschatology and theology in Avellaneda’s Don Quixote.

Abstract. Don Quixote by Alonso Fernández de Avellaneda can be interpreted as a narrative sermon, at the centre of which is the mortal sin of the knight. The author submits the protagonist to degradation using the eschatological not only as a comic resource, but also as a mechanism to despise sin and show collective values.

Keywords: Quixote, Avellaneda, eschatology, theology, laughter.

 

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